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For Éloge de l’ombre (In Praise of Shadows), Ralaivao unveils a suite of new paintings rendered entirely in black and white. Working within the self-imposed parameters of a reduced palette, Ralaivao sharpens his attention to composition, light and shadow. In arresting portraits and still life tableaux, Ralaivao magnifies the most subtle of details at grand scale by strategically framing his subjects. Influenced by film noir, Ralaivao’s works absorb the viewer into a romanticized world of drama and suspense as if the viewer has arrived at a narrative in media res.

Allen’s atmospheric oil paintings on linen depict natural phenomena and symbols chosen for their enduring presence in human history and culture, often drawing from mythology and medieval imagery. From hearts and infinity loops to rainbows and locusts, these subjects serve to underscore nature’s propensity for renewal following destruction. Branches of an oak tree, a powerful symbol of wisdom, strength and endurance, reappear. Through compositional devices, such as gates, windows, and architectural niches, Allen's illusionistic spaces create a dynamic interplay between inclusion and exclusion. Her scenes emerge as ruins burgeoning with life, offering glimpses into a realm where the natural world and the metaphysical entwine.