Inside Bosco Sodi’s Sprawling Red Hook Studio
Galerie gets an exclusive look at the artist’s space ahead of his new monumental new show at Casa Wabi in Mexico

STEPHEN WALLIS
MARCH 5, 2019

When Hurricane Sandy barreled through New York City in 2012, few neighborhoods were hit as hard as Red Hook, on the Brooklyn waterfront. After the storm surge receded, the pier at the end of Van Brunt Street was stained scarlet, like the remnants of a brutal crime scene perhaps. And, indeed, the devastation that confronted the artists, nonprofits, and businesses occupying the pier's 1860s brick-and-stone warehouses was horrible. Bosco Sodi, whose washed-away cache of pigments was responsible for the red residue, lost 18 of the process-intensive paintings he is best known for—their cracked and densely encrusted surfaces calling to mind lava fields or desert landscapes, often in vivid monochrome hues. A year's worth of his work was gone.

“We were completely destroyed, so we had to renew totally,” recounts the Mexican-born Sodi, who made New York his base a decade ago and lives in Red Hook with his wife, Lucia Corredor, owner of the vintage-furniture store Decada in Mexico City, and their three children, Bosco, Mariana, and Alvaro. He says it took around four months to clean up and renovate the sprawling space, which features 25-foot-high stone walls topped by a trussed timber ceiling: “During that time, I wasn’t able to paint at all. Looking back, while it was obviously a disaster, it made me reflect and go more slowly, and that was ultimately a good thing.”

Photo by Douglas Friedman.

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