Art Basel Hong Kong: Booth 3D21

March 26 – 30, 2024 
  • Hong Kong Convention & Exhibition Centre
    1 Harbour Road
    Wan Chai
    Hong Kong, China
    Booth 3D21

    Kasmin is delighted to return to Art Basel Hong Kong with a selection of new and important works representative of the gallery’s leading modern and contemporary program, on view from March 26–30, 2024. The presentation will include works by Diana Al-Hadid, Alma Allen, Theodora Allen, Sara Anstis, Ian Davenport, Barry Flanagan, Walton Ford, Claude Lalanne, François-Xavier Lalanne, Lyn Liu, Robert Motherwell, James Nares, Alexis Ralaivao, James Rosenquist, Mark Ryden, Bosco Sodi, Bernar Venet, and Mark Yang.

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  • Diana Al-Hadid Who Shares My Pain, Knows My Pain, 2024 polymer gypsum, fiberglass, steel, plaster, metal leaf and pigment 61...
    Diana Al-Hadid
    Who Shares My Pain, Knows My Pain, 2024
    polymer gypsum, fiberglass, steel, plaster, metal leaf and pigment
    61 1/2 x 48 x 3 inches
    156.2 x 121.9 x 7.6 cm

    Two new shaped panel paintings by Syrian-born, New York-based artist Diana Al-Hadid (b. 1981) will be featured, related to a recent series of wall reliefs that the artist debuted to critical acclaim in her first solo exhibition at Kasmin, mounted in November 2023. With subtle art historical references culled during the artist’s time studying Islamic miniatures as a Smithsonian Artist Research Fellow in 2021, Al-Hadid’s shaped panel paintings are realized through the artist’s controlled dripping of a tinted polymer gypsum over commonplace building materials into a hardened cascade. Blending material and substrate, Al-Hadid’s panel paintings are internationally celebrated for weaving enigmatic narratives that engage ancient and modern civilizations.
  • Diana Al-Hadid The Happy Isle, Your Faultfinders Afar, 2024 polymer gypsum, fiberglass, steel, plaster, metal leaf and pigment 61 x...
    Diana Al-Hadid
    The Happy Isle, Your Faultfinders Afar, 2024
    polymer gypsum, fiberglass, steel, plaster, metal leaf and pigment
    61 x 48 inches
    154.9 x 121.9 cm
  • Alma Allen Not Yet Titled, 2022 bronze 35 3/8 x 29 3/4 x 39 1/2 inches 89.8 x 75.5 x...
    Alma Allen
    Not Yet Titled, 2022
    bronze
    35 3/8 x 29 3/4 x 39 1/2 inches
    89.8 x 75.5 x 100.2 cm
  • Theodora Allen Shield (Equanimity), 2023 oil on linen in bronze frame 20 x 16 inches 50.8 x 40.6 cm A...
    Theodora Allen
    Shield (Equanimity), 2023
    oil on linen in bronze frame
    20 x 16 inches
    50.8 x 40.6 cm
     
    A new work by American painter Theodora Allen (b. 1985) reprises the artist’s Shield series, which featured prominently in her debut New York solo exhibition at Kasmin in 2019. Rendered in Allen’s distinctive palette, the four symbols of French-suited playing cards—a diamond, club, heart, and spade—feature within the silhouette of a medieval shield, striking among the intimate views of medicinal herbs that earlier characterized the series. Allen’s ongoing solo exhibition in Mexico City inaugurated Casa Siza, a gallery and residence designed by Portuguese architect Álvaro Siza.

  • Sara Anstis Woman and tree, 2023 pastel on paper 14 3/4 x 11 1/2 inches 37.5 x 29.2 cm A...
    Sara Anstis
    Woman and tree, 2023
    pastel on paper
    14 3/4 x 11 1/2 inches
    37.5 x 29.2 cm
     
    A new work by London-based artist Sara Anstis (b. 1991) will demonstrate the artist’s signature use of pastel, generating a soft surface quality through an unmediated connection with the artist’s touch. Building a singular visual vocabulary defined by folkloric and dreamlike atmospheres, Anstis weaves surreal landscapes where figures exist peripatetically on the margins of survival. Celebrating and challenging art historical conventions, such as the history of the nude, the figures in Anstis’ work are shaped by smooth gradients of color, wearing, in the artist’s words, “the clothes of nakedness.” Anstis’ second solo exhibition with Kasmin will open in New York this May.
  • Ian Davenport Mirrored Orange and Magenta, 2020 acrylic on aluminum mounted on aluminum panel 59 x 39 3/8 inches 150...
    Ian Davenport
    Mirrored Orange and Magenta, 2020
    acrylic on aluminum mounted on aluminum panel
    59 x 39 3/8 inches
    150 x 100 cm
  • Barry Flanagan Hare with Bird, 1990 bronze 41 x 22 x 22 inches 104.1 x 55.9 x 55.9 cm
    Barry Flanagan
    Hare with Bird, 1990
    bronze
    41 x 22 x 22 inches
    104.1 x 55.9 x 55.9 cm
  • Walton Ford Minotaur, 2013 watercolor, gouache, and ink on paper 19 x 25 inches 48.3 x 63.5 cm
    Walton Ford
    Minotaur, 2013
    watercolor, gouache, and ink on paper 
    19 x 25 inches
    48.3 x 63.5 cm
  • François-Xavier Lalanne Mouton de Pierre, c. 1979 epoxy stone and bronze 33 3/4 x 35 x 13 inches 85.7 x...
    François-Xavier Lalanne
    Mouton de Pierre, c. 1979
    epoxy stone and bronze
    33 3/4 x 35 x 13 inches
    85.7 x 88.9 x 33 cm
  • Claude Lalanne Nouvelle Pomme Bouche, 2008/2009 bronze and copper 4 1/2 x 4 1/2 x 4 1/2 inches 11.4 x...
    Claude Lalanne
    Nouvelle Pomme Bouche, 2008/2009
    bronze and copper
    4 1/2 x 4 1/2 x 4 1/2 inches
    11.4 x 11.4 x 11.4 cm
  • Important works by renowned French sculptors Claude and François-Xavier Lalanne (1925–2019; 1927–2008), known collectively as Les Lalanne since 1966, will also be featured. François-Xavier’s epoxy stone sheep, Mouton de Pierre, was realized in 1979 to contrive one of the artist’s most iconic motifs outdoors. Ginkgo and crocodile works by Claude will be on view, demonstrating the artist’s celebrated mastery of modern electroplating—a technique for which she became renowned on the famed Impasse Ronsin in Paris in the 1950s—to achieve a delicacy in her work largely unparalleled in cast bronze. A major solo exhibition of work by Les Lalanne from the collection of Caroline Hamisky Lalanne, curated by Paul B. Franklin, will open at Kasmin in New York this April.

  • Claude Lalanne Guéridon Trifolia IV Ginkgo, 2007/2012 bronze 16 1/2 x 27 1/2 inches 42 x 70 cm
    Claude Lalanne
    Guéridon Trifolia IV Ginkgo, 2007/2012
    bronze
    16 1/2 x 27 1/2 inches
    42 x 70 cm
  • Claude Lalanne Crocoseat, 2007/2018 bronze 28 x 17 3/4 x 15 3/8 inches 71 x 45 x 39 cm
    Claude Lalanne
    Crocoseat, 2007/2018
    bronze
    28 x 17 3/4 x 15 3/8 inches
    71 x 45 x 39 cm
  • Lyn Liu Cup lock, 2024 oil on linen 60 1/4 x 60 1/4 inches 153 x 153 cm A new...
    Lyn Liu
    Cup lock, 2024
    oil on linen
    60 1/4 x 60 1/4 inches
    153 x 153 cm

    A new painting by Beijing-born, New York-based artist Lyn Liu (b. 1993) originates from a prank: when placing a full cup of water over someone's thumbs pressed together on a table, they will be unable to release their hands by themselves without tipping over the cup, resulting in a form of punishment; a concentration exercise; or a trap of unsorted, disordered thoughts that the artist reflects in disarrayed drawings on the cup. Liu's work addresses the psychological tension that underpins relationships between individuals through a sequence of uncanny cinematic tableaux. Her work draws from the artist’s personal experiences of alienation, utilizing symbolism and an atmosphere of the absurd to provoke reflections on what Liu considers our oppressive social reality.
  • Robert Motherwell Sculptor’s Picture, with Blue, 1958 oil on canvas 70 1/4 x 76 1/4 inches 178.4 x 193.7 cm...
    Robert Motherwell
    Sculptor’s Picture, with Blue, 1958
    oil on canvas
    70 1/4 x 76 1/4 inches
    178.4 x 193.7 cm
     

    A cornerstone of the presentation will be American Abstract Expressionist Robert Motherwell’s (1915–1991) Sculptor’s Picture, with Blue (1958), on view in Asia for the very first time. Recently included in a major institutional retrospective of the artist’s paintings at the Modern Art Museum of Fort Worth and Kunstforum Wien, this painting documents a key transition from figurative to abstract imagery in Motherwell’s paintings. Realized in 1958, the composition anticipates the work Motherwell would realize on his storied honeymoon with Helen Frankenthaler in France and Spain that summer, resulting in his celebrated Iberia series. Related paintings are held by the Whitney Museum of American Art, New York, and the Museum Reinhard Ernst, Germany, among other institutions.

  • Robert Motherwell Untitled, ca. 1951 oil and graphite on masonite 24 x 20 inches 61 x 50.8 cm
    Robert Motherwell
    Untitled, ca. 1951
    oil and graphite on masonite
    24 x 20 inches
    61 x 50.8 cm
  • James Nares No Time, 2023 oil on linen 65 x 52 inches 165.1 x 132.1 cm
    James Nares
    No Time, 2023
    oil on linen
    65 x 52 inches
    165.1 x 132.1 cm
  • Alexis Ralaivao Deux verres sur un piano, 2023 oil on canvas 19 3/4 x 15 3/4 inches 50 x 40...
    Alexis Ralaivao
    Deux verres sur un piano, 2023
    oil on canvas
    19 3/4 x 15 3/4 inches
    50 x 40 cm
     

    New paintings by French-Madagascan, Berlin-based painter Alexis Ralaivao (b. 1991), newly represented by Kasmin, will be featured. Finding an affective charge in the ordinary and mundane, Ralaivao seamlessly synthesizes contemporary concerns, such as the fragmentary nature of the digital age, with the techniques and attentive gaze of Dutch Golden Age painters. Textures like skin, metal and cloth become the striking focus of Ralaivao’s paintings, with entire canvases dedicated to singular details. Ralaivao’s work is held by the He Art Museum, Shunde, Foshan; the Institute of Contemporary Art, Miami; and the Nerman Museum of Contemporary Art, Kansas. 

  • Alexis Ralaivao Ode à l'inanimé, 2023 oil on canvas 78 3/4 x 51 1/8 inches 200 x 130 cm
    Alexis Ralaivao
    Ode à l'inanimé, 2023
    oil on canvas
    78 3/4 x 51 1/8 inches
    200 x 130 cm
  • James Rosenquist The Serenade for the Doll after Claude Debussy, Gift Wrapped Doll #8, 1992 oil on canvas 60 x...
    James Rosenquist
    The Serenade for the Doll after Claude Debussy, Gift Wrapped Doll #8, 1992
    oil on canvas
    60 x 60 inches
    152.4 x 152.4 cm
  • The presentation will include an exceptional painting by American Pop Art icon James Rosenquist (1933–2017). The Serenade for the Doll after Claude Debussy, Gift Wrapped Doll #8 (1992), an oil painting depicting Rosenquist’s photograph of a store-bought doll covered in Saran wrap, forms part of a series the artist began at the height of the HIV/AIDS epidemic. Concerned for the future of his young daughter, Rosenquist titled this series after the French composer Claude Debussy, noted to have drawn inspiration from his own daughter. This series marks a rare instance in which Rosenquist, always inclined toward collage, used only one image in his paintings. Related works from the series are held by The Metropolitan Museum of Art, New York, and the Seattle Art Museum.
  • Mark Ryden Swirl Girl (#130), 2017 oil on panel 23 1/4 x 11 1/4 inches 59.1 x 28.6 cm
    Mark Ryden
    Swirl Girl (#130), 2017
    oil on panel
    23 1/4 x 11 1/4 inches
    59.1 x 28.6 cm
  • Mark Ryden Fantasy Characters Lineup (drawing), 2016 graphite on paper 14 x 20 inches 35.6 x 50.8 cm
    Mark Ryden
    Fantasy Characters Lineup (drawing), 2016
    graphite on paper
    14 x 20 inches
    35.6 x 50.8 cm
  • Mark Ryden Yakalina (Blush - Alternate), 2022 bronze with patina 42 x 13 5/8 x 13 1/2 inches 106.7 x...
    Mark Ryden
    Yakalina (Blush - Alternate), 2022
    bronze with patina

    42 x 13 5/8 x 13 1/2 inches
    106.7 x 34.6 x 34.4 cm

  • Also on view will be a unique artist proof of a sculpture by American pioneer of Pop Surrealism Mark Ryden (b. 1963), not previously exhibited. Featuring the figure of the Yakalina, an imaginary and mysterious figure created by Ryden, this bronze sculpture with a pink patina is distinguished by its crimson red eyes. With its long, conical body covered in fur, the Yakalina extends its arms outward, adopting a posture routinely used in the history of art to represent a sublime transcendence of physical form that symbolizes worship and piety. Ryden’s work is internationally celebrated for exquisitely rendering a universe replete with fantastical characters set in enchanted landscapes, embodying the artist’s meticulously realized signature blend of archetype, kitsch, and narrative mysticism.
  • Bosco Sodi Untitled, 2023 mixed media on canvas 73 1/4 x 73 1/4 inches 186 x 186 cm In anticipation...
    Bosco Sodi
    Untitled, 2023
    mixed media on canvas
    73 1/4 x 73 1/4 inches
    186 x 186 cm
     

    In anticipation of Mexican artist Bosco Sodi’s (b. 1970) upcoming solo exhibition at the He Art Museum in Shunde, Foshan, a red painting by Sodi will be on view. Capturing the essence of fire and the sun, the color red has steeped Sodi’s recent interest in the cultural and political resonances of color worldwide. Combining raw cochineal pigment—native to Mexico and a historical source of wealth for the Spanish Empire—with wood dust and other natural material in a binding medium over canvas, Sodi assembles his work’s preconditions and allows the unpredictable forces of nature to dictate resulting cracks and fissures on the surface, indicative of the artist’s embrace of wabi sabi aesthetics. In 2022, Sodi unveiled a suite of red paintings in a solo exhibition at Palazzo Vendramin Grimani, a collateral event of the 59th Venice Biennale.

  • Bosco Sodi Untitled, 2023 mixed media on canvas 63 x 74 3/4 inches 160 x 190 cm
    Bosco Sodi
    Untitled, 2023
    mixed media on canvas
    63 x 74 3/4 inches
    160 x 190 cm
  • Bosco Sodi Untitled, 2022 mixed media on wood panel 31 7/8 x 39 3/8 inches 81 x 100 cm
    Bosco Sodi
    Untitled, 2022
    mixed media on wood panel
    31 7/8 x 39 3/8 inches
    81 x 100 cm
  • Bernar Venet Installation 222.5 ̊ Arc x 21, 2008 charcoal on paper 29 3/8 x 41 7/8 inches 74.5 x...
    Bernar Venet
    Installation 222.5 ̊ Arc x 21, 2008
    charcoal on paper
    29 3/8 x 41 7/8 inches
    74.5 x 106.4 cm
  • Bernar Venet Deux Lignes Indéterminées, 2013 oilstick and collage on paper 29 1/2 x 41 3/8 inches 75 x 105...
    Bernar Venet
    Deux Lignes Indéterminées, 2013
    oilstick and collage on paper
    29 1/2 x 41 3/8 inches
    75 x 105 cm
  • Mark Yang Pink Window, 2024 oil on canvas 50 x 46 inches 127 x 116.8 cm Ambiguity remains a pervading...
    Mark Yang
    Pink Window, 2024
    oil on canvas
    50 x 46 inches
    127 x 116.8 cm
     

    Ambiguity remains a pervading theme in Seoul-born, New York-based artist Mark Yang’s (b. 1994) hallmark compositions of intertwining body parts that explore the nuances of human interaction. Evading clear assignments of gender, Yang’s figures resist the throes of a totalizing narrative. Yang realizes his new, boldly colorful figures by staining raw canvas with thin, transparent layers of oil paint. Layer after layer, Yang develops full-bodied fields of color that ground his figures in their liminal settings, before defining their backgrounds and shadows. Yang's first solo exhibition at Kasmin was mounted in early 2024.

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