Tina Barney at ADAA: The Art Show

Park Avenue Armory, October 30 – November 2, 2024 
  • Booth B1
    Park Avenue Armory
    643 Park Avenue, New York

    Tuesday, October 29: Benefit Preview
    Wednesday, October 30–Friday, November 1: 12–7pm
    Saturday, November 2: 12–6pm

    For ADAA: The Art Show 2024, Kasmin announces a solo booth of work by influential American photographer Tina Barney (b. 1945). Featuring rarely exhibited works, the presentation explores the theme of family across five decades of the artist’s career and coincides with Tina Barney: Family Ties, her first European retrospective at the Jeu de Paume in Paris (September 28, 2024–January 19, 2025), traveling to Kutxa Fundazioa in San Sebastián, Spain (July–October 2025).

    As Barney investigates intergenerational rituals, her large-format work magnifies the brilliant colors and vibrant textures of her subjects and their surroundings. From the early development of her practice in the late 1970s to her most recent work for international fashion campaigns, the family has offered Barney a framework to probe cultural habits as they are passed down over generations. First illuminating the inner lives of her own relatives and close friends, and later photographing European families previously unknown to her, Barney has dedicated her practice to creating intricate tableaux that call attention to the subtle nuances of her subjects’ interactions. Whether candid or carefully staged, Barney’s works reveal unexpected connections between her subjects which are complicated or magnified by the psychological resonance of their domestic settings.

    Press Requests

  • Tina Barney The Flag, 1977 gelatin silver print 16 x 20 inches 40.6 x 50.8 cm
    Tina Barney
    The Flag, 1977
    gelatin silver print
    16 x 20 inches
    40.6 x 50.8 cm
  • “The scale and ambition at which she was making pictures in 1982 was absolutely in the vanguard. Her capacity to marry that scale with the spontaneity of a snapshot aesthetic gave it such a unique place in the field.”
    —Sarah Meister, Executive Director of Aperture

  • Tina Barney Graham Cracker Box, 1983 archival pigment print 48 x 60 inches 121.9 x 152.4 cm
    Tina Barney
    Graham Cracker Box, 1983
    archival pigment print
    48 x 60 inches
    121.9 x 152.4 cm
  • Spanning five decades, the presentation assembles work from across the artist’s most celebrated series including “Theater of Manners,” “The Europeans,” and “The Beginning.” Subtle group dynamics emerge in these works, such as the observable relationship patterns between siblings and close friends, whether in the candid postures of The Flag (1977) or the composed stances of Two Sisters (2019)—two works previously unexhibited until the Jeu de Paume retrospective. In Julianne Moore and Family (1999), the actor poses with her husband and young son for an editorial commission, an image that was last exhibited 20 years ago at the Museum of Modern Art, New York. The relationship between spouses is most pronounced in Mr. and Mrs. Leo Castelli (1998), a portrait of the late art dealer and Barbara Bertozzi Castelli, in which Bertozzi’s dramatic gesture provides the only dynamic movement in the frame. Elsewhere, children appear to mirror the gestures of their parents, as in The Hands (2002), which depicts a French father and son. The places where families gather become generative subjects in works such as Graham Cracker Box (1983), where five figures around a kitchen table appear resolutely immersed in their own internal worlds.

  • Tina Barney The Young Men, 1992 archival pigment print 48 x 60 inches 121.9 x 152.4 cm
    Tina Barney
    The Young Men, 1992
    archival pigment print
    48 x 60 inches
    121.9 x 152.4 cm
  • Tina Barney Julianne Moore and Family, 1999 archival pigment print 48 x 60 inches 121.9 x 152.4 cm
    Tina Barney
    Julianne Moore and Family, 1999
    archival pigment print
    48 x 60 inches
    121.9 x 152.4 cm
  • Tina Barney Mr. and Mrs. Leo Castelli, 1998 archival pigment print 30 x 40 inches 76.2 x 101.6 cm
    Tina Barney
    Mr. and Mrs. Leo Castelli, 1998
    archival pigment print
    30 x 40 inches
    76.2 x 101.6 cm
  • Tina Barney The Hands, 2002 archival pigment print 48 x 60 inches 121.9 x 152.4 cm
    Tina Barney
    The Hands, 2002
    archival pigment print
    48 x 60 inches
    121.9 x 152.4 cm
  • "These theatrical tableaus crackle with telling gestures, microexpressions and visual tensions both humorous and psychological."
    —Hilarie M. Sheets, The New York Times

  • Tina Barney Two Sisters, 2019 archival pigment print 45 x 60 inches 114.3 x 152.4 cm
    Tina Barney
    Two Sisters, 2019
    archival pigment print
    45 x 60 inches
    114.3 x 152.4 cm
  • "Instead of social critique, Tina Barney prefers a sort of interrogative observation: 'The only way we can examine ourselves, or the history of our lives, is through photography,' she wrote in 2017."
    —Quentin Bajac, Director of the Jeu de Paume

  • Museum & Offsite

  • About the Artist

    Tina Barney
    Self-portrait by Tina Barney.

    Tina Barney

    Over the course of her 40-year career, acclaimed American photographer Tina Barney (b. 1945) has illuminated the inner lives of her subjects, observing the generational repetition of familial traditions and rituals as played out in domestic settings. Recognized for her large-format photographic portraits realized in vibrant color—and more recently, for her foray into landscape photography—Barney demonstrates the same complexity and sensitivity whether she is shooting world-renowned celebrities or the figures and faces of those known to her personally. 

    Barney’s photographs are in numerous public collections, including the Museum of Modern Art, New York, NY; the Whitney Museum of American Art, New York, NY; Los Angeles County Museum of Art, CA; the Museum of Fine Arts, Boston, MA; and the Nicola Erni Collection, Zug, Switzerland; among many others. Barney's work was included in the 1987 Whitney Biennial and has been the subject of major recent exhibitions at the Kunsthalle Wien, Austria; the New Orleans Museum of Art, LA; the Frist Center in Nashville, TN; the Barbican Art Gallery, London, United Kingdom; and the Museum of Art, Salzburg, Austria. In September 2017, Rizzoli USA published Tina Barney, an eponymous monograph spanning her four-decade international career.

    Barney's third solo exhibition with Kasmin, The Beginning, opened in March 2023. Concurrent with the exhibition, a book of fifty works was published by Radius Books.

    Learn More

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