Alma Allen

Allen’s process begins with his instinctive hand-sculpting of intimately-scaled model clay or wax forms. Worked and reworked, these emerge gradually, along with their outcrops and eccentricities, as if asserting an individual existential will. The artist casts and finishes the sculptures using his own foundry on site at his studio in the hills of Tepoztlán, Mexico. While the works emanate a proud visual sumptuousness, collaborating beautifully with natural light, it is their magnetic tactility that defines them. Bronze, for all its heft, is rendered feather-light in large-scale works that unfurl towards the sky as if they still retain their former liquidity; not-quite-spheres sit squat like dew drops, bursting with latent energy. Surfaces are particularly expressive for Allen—the finishing of a bronze work, which the artist has compared to painting, includes welding smaller pieces together, brazing, polishing, and developing expressive chemical patinas.

Pairing small-scale works with the monumental, the exhibition highlights Allen’s sculptural ambition and the variance in possibilities that his forms embody. Presented in the elevated Kasmin Sculpture Garden amongst a newly rewilded urban meadow, the artist’s works remain appropriately in conversation with nature, bringing elegant, biomorphic lines to the Chelsea skyline.