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William N. Copley: The New York Years

Past exhibition
March 11 – September 26, 2020 509 West 27th Street, New York
  • Press Release
  • Installation Views
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  • Kasmin is pleased to present William N. Copley The New York Years, a comprehensive look at the evolution of the artist’s painting during three pivotal decades in New York City. The exhibition traces this central period through key paintings from multiple series and a corresponding presentation of photographic, publishing, and research materials drawn from the archives of the William N. Copley Estate. This is Kasmin’s sixth solo exhibition of the artist’s work since the gallery began representing the Estate in 2010.
  • Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
    Installation view of William N. Copley The New York Years at Kasmin Gallery, 2020. Photography by Diego Flores. (Larger version of this image opens in a popup).
  • “I’d been born in that town but didn’t remember it,” Copley said of New York in his memoir Portrait of the Artist as a Young Dealer. Copley’s decision to move to the city—when the artist was 44—marked a return to the American scene after twelve years living in France. Copley’s early career had been one of a self-taught outsider working in Paris, where, under the influence of Surrealism, Copley developed a unique personal iconography. This “private mythology,” as he would call it, explored sexual politics and his culturally repressive upbringing. Copley’s eccentric style and his humorous, amatory themes led to commercial success and exhibitions throughout Europe in the 1950s. Copley returned to the US in 1963, at a time when the Paris scene had grown quiet and New York was enjoying a period of explosive artistic activity.

  • William N. Copley Small Sonata, 1965 oil on canvas 38 x 51 inches 96.5 x 129.5 cm

    William N. Copley

    Small Sonata, 1965

    oil on canvas
    38 x 51 inches
    96.5 x 129.5 cm
  • Included in the exhibition are major works originally exhibited at Copley’s first shows as an artist based in New York. The work titled Tomb of the Unknown Whore (1965) reveals Copley’s shift to working at a larger scale and utilizing line drawing as a technique in his paintings. The artist's switch from oil paints to acrylics, which allowed him to work faster and gave him new freedoms, coincided with a prolific series of colorful, narrative paintings adapted from the works of Robert W. Service and other folk balladeers popular in the late 19th and early 20th century. These paintings are represented in The New York Years along with Then In Meandered Deep-Hole Dan Once Comrade of the Cup (1967). Of special note in the exhibition is the large painting I Am Awarded My Handbag and Declared a Professional (1986), which was displayed in the artist’s immersive New Museum installation Tomb of the Unknown Whore in 1986. It is exhibited here for the first time in New York since the original exhibition.

    Beginning in 1970, Copley started rendering items from old Sears, Roebuck & Co. catalogs in a loose, suggestive manner. Dubbed the Nouns, these everyday items were paired with geometric background patterns in a style similar to, or quietly critical of, Hard-edge and Op-style painting. Copley at once further developed this painterly language and consummated his interest in erotic subject matter with the X-Rated series, which he began two years later in 1972. Indebted to the adult magazines sold along 42nd street and Times Square, the works feature figures in various stages of sexual congress and are marked by bold contour lines and lyrical color palettes. Speaking of the X-Rated exhibition held at the New York Cultural Center in 1974, Copley remarked, “I am attempting to break through the barrier of pornography into the area of joy.” Works from the Nouns and X-Rated series are presented in dialogue in William N. Copley The New York Years.

  • William N. Copley Tomb of the Unknown Whore (No. 2), 1965 acrylic on canvas 74 3/4 x 112 1/4 inches...

    William N. Copley

    Tomb of the Unknown Whore (No. 2), 1965

    acrylic on canvas
    74 3/4 x 112 1/4 inches
    190 x 285 cm
  • New York also provided Copley an ideal setting for his non-painting activities. In 1967, Copley founded The Letter Edged In Black Press, Inc., which published the groundbreaking art periodical S.M.S. for six issues in 1968. S.M.S. featured facsimile multiples from an intergenerational group of artists, many of whom Copley met in New York and who would congregate at the artist’s publishing office on the Upper West Side. (Among the friends and contributors were Roy Lichtenstein, Bruce Nauman, Yoko Ono, Christo, Lee Lozano, John Cage, and Copley’s close friend and mentor Marcel Duchamp.) S.M.S. publications will be on view in the exhibition along with associated artworks and ephemera.

    In the 1980s, Copley began dividing time between New York and homes in Roxbury, Connecticut, and Key West, Florida. Though he began to withdraw from New York’s art world, he maintained a prolific focus on painting and his work grew in complexity and ambiguity. The late gallerist Phyllis Kind—known for her patronage of outsider art and directive support of the Chicago Imagists—became Copley’s primary New York dealer, staging five solo exhibitions at her Greene Street space in Soho between 1982 and 1991. Untitled (Apples & Oranges) (1986) dates from this period and is exemplary of Copley’s late style, employing multilayered compositions and collaged textiles such as lace fabric.

  • William N. Copley Untitled (Apples & Oranges), 1986 acrylic and lace on canvas 77 x 60 inches 195.6 x 152.4...

    William N. Copley

    Untitled (Apples & Oranges), 1986

    acrylic and lace on canvas
    77 x 60 inches
    195.6 x 152.4 cm
  • In addition to the key works on view, William N. Copley The New York Years will present a timeline of the artist’s numerous activities during his tenure in New York. Visitors will encounter an in-depth picture of his consequential return to the New York scene, where Copley forged his mature identity as an artist and painter.

    William N. Copley, (1919–1996), known by his signature name CPLY, (pronounced 'see-ply'), was a painter, writer, gallerist, art patron, publisher, and art entrepreneur. In his lifetime, Copley was the subject of multiple European retrospectives, including Stedlijk Museum (1966), Kunsthalle Bern (1980), and Kestner-Gessellschaft (1995). Recent major institutional exhibitions have been held at The Menil Collection, Houston, and Fondazione Prada, Italy. His work is held in private and public collections worldwide, such as the Museum of Modern Art, Whitney Museum of American Art, Stedelijk Museum and many more.

    The New York Years completes a trio of coordinated international exhibitions that will present major series of works by William N. Copley in the first part of 2020. See The Ballad of William N. Copley at Galerie Max Hetzler, Berlin, from January 17, William N. Copley: The Temptation of St. Anthony (Revisited) at Nino Mier, Los Angeles, from February 15, and The New York Years at Kasmin, New York, from March 11.

  • Virtual Exhibition

  • Works
    • William N. Copley, Small Sonata, 1965
      William N. Copley, Small Sonata, 1965
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      %3Cspan%20class%3D%22title%22%3E%3Cspan%20class%3D%22artist%22%3EWilliam%20N.%20Copley%3Cspan%20class%3D%22artist_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22title%22%3ESmall%20Sonata%3Cspan%20class%3D%22title_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22year%22%3E1965%3C/span%3E%3C/span%3E
    • William N. Copley, Smile (You’re on Camera), 1963
      William N. Copley, Smile (You’re on Camera), 1963
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      %3Cspan%20class%3D%22title%22%3E%3Cspan%20class%3D%22artist%22%3EWilliam%20N.%20Copley%3Cspan%20class%3D%22artist_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22title%22%3ESmile%20%28You%E2%80%99re%20on%20Camera%29%3Cspan%20class%3D%22title_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22year%22%3E1963%3C/span%3E%3C/span%3E
    • William N. Copley, Untitled (Apples & Oranges), 1986
      William N. Copley, Untitled (Apples & Oranges), 1986
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      %3Cspan%20class%3D%22title%22%3E%3Cspan%20class%3D%22artist%22%3EWilliam%20N.%20Copley%3Cspan%20class%3D%22artist_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22title%22%3EUntitled%20%28Apples%20%26%20Oranges%29%3Cspan%20class%3D%22title_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22year%22%3E1986%3C/span%3E%3C/span%3E
    • William N. Copley, I am Awarded My Handbag and Declared a Professional, 1986
      William N. Copley, I am Awarded My Handbag and Declared a Professional, 1986
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      %3Cspan%20class%3D%22title%22%3E%3Cspan%20class%3D%22artist%22%3EWilliam%20N.%20Copley%3Cspan%20class%3D%22artist_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22title%22%3EI%20am%20Awarded%20My%20Handbag%20and%20Declared%20a%20Professional%3Cspan%20class%3D%22title_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22year%22%3E1986%3C/span%3E%3C/span%3E
    • William N. Copley, Trombone, 1970
      William N. Copley, Trombone, 1970
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      %3Cspan%20class%3D%22title%22%3E%3Cspan%20class%3D%22artist%22%3EWilliam%20N.%20Copley%3Cspan%20class%3D%22artist_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22title%22%3ETrombone%3Cspan%20class%3D%22title_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22year%22%3E1970%3C/span%3E%3C/span%3E
    • William N. Copley, Death of the Unknown Whore, 1965
      William N. Copley, Death of the Unknown Whore, 1965
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      %3Cspan%20class%3D%22title%22%3E%3Cspan%20class%3D%22artist%22%3EWilliam%20N.%20Copley%3Cspan%20class%3D%22artist_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22title%22%3EDeath%20of%20the%20Unknown%20Whore%3Cspan%20class%3D%22title_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22year%22%3E1965%3C/span%3E%3C/span%3E
    • William N. Copley, War of the Roses, 1970
      William N. Copley, War of the Roses, 1970
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      %3Cspan%20class%3D%22title%22%3E%3Cspan%20class%3D%22artist%22%3EWilliam%20N.%20Copley%3Cspan%20class%3D%22artist_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22title%22%3EWar%20of%20the%20Roses%3Cspan%20class%3D%22title_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22year%22%3E1970%3C/span%3E%3C/span%3E
    • William N. Copley, Dig We Must, 1963
      William N. Copley, Dig We Must, 1963
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      %3Cspan%20class%3D%22title%22%3E%3Cspan%20class%3D%22artist%22%3EWilliam%20N.%20Copley%3Cspan%20class%3D%22artist_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22title%22%3EDig%20We%20Must%3Cspan%20class%3D%22title_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22year%22%3E1963%3C/span%3E%3C/span%3E
    • William N. Copley, Tomb of the Unknown Whore (No. 2), 1965
      William N. Copley, Tomb of the Unknown Whore (No. 2), 1965
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      %3Cspan%20class%3D%22title%22%3E%3Cspan%20class%3D%22artist%22%3EWilliam%20N.%20Copley%3Cspan%20class%3D%22artist_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22title%22%3ETomb%20of%20the%20Unknown%20Whore%20%28No.%202%29%3Cspan%20class%3D%22title_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22year%22%3E1965%3C/span%3E%3C/span%3E
    • William N. Copley, Revolver and Target, 1970
      William N. Copley, Revolver and Target, 1970
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      %3Cspan%20class%3D%22title%22%3E%3Cspan%20class%3D%22artist%22%3EWilliam%20N.%20Copley%3Cspan%20class%3D%22artist_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22title%22%3ERevolver%20and%20Target%3Cspan%20class%3D%22title_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22year%22%3E1970%3C/span%3E%3C/span%3E
    • William N. Copley, A Kinder, Gentler Nation, 1988
      William N. Copley, A Kinder, Gentler Nation, 1988
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      %3Cspan%20class%3D%22title%22%3E%3Cspan%20class%3D%22artist%22%3EWilliam%20N.%20Copley%3Cspan%20class%3D%22artist_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22title%22%3EA%20Kinder%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EGentler%20Nation%3Cspan%20class%3D%22title_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22year%22%3E1988%3C/span%3E%3C/span%3E
    • William N. Copley, Never Give a Sucker an Even Break, 1973
      William N. Copley, Never Give a Sucker an Even Break, 1973
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      %3Cspan%20class%3D%22title%22%3E%3Cspan%20class%3D%22artist%22%3EWilliam%20N.%20Copley%3Cspan%20class%3D%22artist_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22title%22%3ENever%20Give%20a%20Sucker%20an%20Even%20Break%3Cspan%20class%3D%22title_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22year%22%3E1973%3C/span%3E%3C/span%3E
    • William N. Copley, Blue Angel, 1973
      William N. Copley, Blue Angel, 1973
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      %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EWilliam%20N.%20Copley%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3EBlue%20Angel%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E1973%3C/span%3E
    • William N. Copley, Then In Meandered Deep-Hole Dan Once Comrade of The Cup (from "The Cow Juice Cure"), 1967
      William N. Copley, Then In Meandered Deep-Hole Dan Once Comrade of The Cup (from "The Cow Juice Cure"), 1967
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      %3Cspan%20class%3D%22title%22%3E%3Cspan%20class%3D%22artist%22%3EWilliam%20N.%20Copley%3Cspan%20class%3D%22artist_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22title%22%3EThen%20In%20Meandered%20Deep-Hole%20Dan%20Once%20Comrade%20of%20The%20Cup%20%28from%20%22The%20Cow%20Juice%20Cure%22%29%3Cspan%20class%3D%22title_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22year%22%3E1967%3C/span%3E%3C/span%3E
  • About the Artist

    William N. Copley

    William N. Copley

    William Nelson Copley is currently included in the exhibition Americans in Paris: Artists Working in Postwar France, 1946-1962, on view at the Grey Art Museum, NYU in New York through July 2024. In 2023-24, Copley was the subject of a two-person exhibition See Yourself As Lovers See You: William N. Copley and Dorothy Iannone at the Philara Collection, Düsseldorf, which followed a solo exhibition at the Institute for Contemporary Art, Miami, in 2018-19. In 2016-17, a comprehensive survey of Copley’s work was mounted by The Menil Collection, Houston and the Fondazione Prada, Milan. His work has also been included in landmark group exhibitions including documenta 5 (1972); documenta 7 (1982); Pop Art USA, Oakland Art Museum, California (1963); “Bad” Painting, New Museum, New York (1978); and Westkunst, Museen der Stadt, Cologne (1981). Copley’s work is held in major institutional collections worldwide, including The Museum of Modern Art, New York; Tate, London; and Centre Pompidou, Paris, among many others.

    Learn More

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Back to Past exhibitions

509 West 27th Street

New York
Tuesday–Saturday, 10am–6pm
+1 212 563 4474
info@kasmingallery.com

 

297 Tenth Avenue

New York
Tuesday–Saturday, 10am–6pm
+1 212 563 4474
info@kasmingallery.com

 

Kasmin Sculpture Garden

New York
On view from The High Line at 27th Street
Monday–Sunday, 7am-11pm
+1 212 563 4474
info@kasmingallery.com

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