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Tina Barney: The Beginning

Past exhibition
March 2 – April 22, 2023 297 Tenth Avenue, New York
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  • Spanning the years 1976 to 1980, The Beginning brings together the earliest works of acclaimed American photographer Tina Barney (b. 1945). Featuring images largely unseen by the public, the exhibition chronicles a period of technical and artistic development that would lay the foundation for the complex and incisive tableaux that ultimately established Barney as a key figure in international photography. While quarantining during the Covid-19 outbreak, Barney began to sort through her archive of thousands of 35mm negatives, discovering long-forgotten images that reanimated her memories of life as a young artist: “The photographs in this book seem like X-rays of my mind,” she has said.

    Concurrent with the exhibition, a book of fifty of the works was published by Radius Books. See more and purchase the title here.

  • Installation view of Tina Barney: The Beginning, March 2 – April 22, 2023. Photography by Christopher Stach. (Larger version of this image opens in a popup).
    Installation view of Tina Barney: The Beginning, March 2 – April 22, 2023. Photography by Christopher Stach. (Larger version of this image opens in a popup).
    Installation view of Tina Barney: The Beginning, March 2 – April 22, 2023. Photography by Christopher Stach. (Larger version of this image opens in a popup).
    Installation view of Tina Barney: The Beginning, March 2 – April 22, 2023. Photography by Christopher Stach. (Larger version of this image opens in a popup).
    Installation view of Tina Barney: The Beginning, March 2 – April 22, 2023. Photography by Christopher Stach. (Larger version of this image opens in a popup).
    Installation view of Tina Barney: The Beginning, March 2 – April 22, 2023. Photography by Christopher Stach. (Larger version of this image opens in a popup).
    Installation view of Tina Barney: The Beginning, March 2 – April 22, 2023. Photography by Christopher Stach. (Larger version of this image opens in a popup).
    Installation view of Tina Barney: The Beginning, March 2 – April 22, 2023. Photography by Christopher Stach. (Larger version of this image opens in a popup).
    Installation view of Tina Barney: The Beginning, March 2 – April 22, 2023. Photography by Christopher Stach. (Larger version of this image opens in a popup).
    Installation view of Tina Barney: The Beginning, March 2 – April 22, 2023. Photography by Christopher Stach. (Larger version of this image opens in a popup).
    Installation view of Tina Barney: The Beginning, March 2 – April 22, 2023. Photography by Christopher Stach. (Larger version of this image opens in a popup).
  • Barney’s life in photography began in the 1970s by capturing the rhythms and rituals of those closest to her. Her early intuition for directing the eye through composition is demonstrable in these works, informed by her love of the Old Master paintings she studied in museums throughout her youth. Characterized in part by idiosyncratic crops that bring reflective attention to even the subtlest gestures of their subjects, Barney’s works explore the unspoken tensions and intimacies that abound in families and friendships with affectionate humor. Charting passages through childhood and adolescence to the building of families and eventual aging, Barney’s subjects navigate both private and public spaces—swimming pools, gardens, tennis courts, diners, shops, and museums—while her presence as an observer teases out both their exterior and interior experiences. Implied is an inquisitive reflection on the symbiosis between our relational and psychological experiences and the cultural and historical frameworks we each inherit.
  • The Beginning includes both color and black and white photographs. In his essay for the accompanying publication, artist James Welling...
    Tina, Ketchum, Idaho, 1977. Photographer unknown. 
    The Beginning includes both color and black and white photographs. In his essay for the accompanying publication, artist James Welling identifies “her discovery that black and white is for sensuous surfaces, textured fabric, frosted glass, tendrils of hair, vaporous steam, stone illuminated by sharp cold sunlight.” Welling goes on to describe Barney’s use of color as “environmental” in that “it establishes an interior mood.” Again and again, the soft blues and greens of the natural landscapes bump up against the punchy interference of manufactured objects in red and yellow or the turquoise of swimming pool water. Occasionally this combination produces an atmosphere of the uncanny, most prominently in Waterslide in Fog (1979), a key image for the artist, which depicts a group of young people determinedly climbing the steps in defiance of brooding overcast weather.
  • The works in the exhibition were taken with a Pentax 35mm camera, allowing for easy portability and spontaneous use. This... The works in the exhibition were taken with a Pentax 35mm camera, allowing for easy portability and spontaneous use. This... The works in the exhibition were taken with a Pentax 35mm camera, allowing for easy portability and spontaneous use. This...

    The works in the exhibition were taken with a Pentax 35mm camera, allowing for easy portability and spontaneous use. This preceded a shift in Barney’s process wherein the artist began to shoot scenes she had either directed or completely staged. The first of these, concocted on a whim, is Amy, Phil and Brian (1980), anchored by a central figure who looks out at a swimming pool framed by two figures specifically directed to stand on exact opposite sides of the pool. By 1981, Barney began to work in large format (using a Toyo 45A Field camera), the medium that came to be her primary instrument for major series such as Theater of Manners, The Europeans, and Players.

  • Tina Barney Yellow Towels I, 1979 archival pigment print image: 13 x 19 1/4 inches, 33 x 48.9 cm frame:...

    Tina Barney

    Yellow Towels I, 1979

    archival pigment print 
    image: 13 x 19 1/4 inches, 33 x 48.9 cm 
    frame: 21 3/4 x 29 3/4 x 1 1/4 inches, 55.2 x 75.6 x 3.2 cm

    • Tina smoking at the opening of her first show at The Potatoe Gallery, May 1977. Photo by Mary Rolland.

      Tina smoking at the opening of her first show at The Potatoe Gallery, May 1977. Photo by Mary Rolland. 

    • Tina and Andy hanging her first show at The Potatoe Gallery, May 1977. Photo by Mary Rolland.

      Tina and Andy hanging her first show at The Potatoe Gallery, May 1977. Photo by Mary Rolland. 

  • Tina Barney Judith Smoking, 1977 gelatin silver print image: 13 x 19 1/4 inches, 33 x 48.9 cm frame: 21...

    Tina Barney

    Judith Smoking, 1977

    gelatin silver print 
    image: 13 x 19 1/4 inches, 33 x 48.9 cm 
    frame: 21 3/4 x 29 3/4 x 1 1/4 inches, 55.2 x 75.6 x 3.2 cm

  • Barney’s photographs are in numerous public collections, including the Museum of Modern Art, New York, NY; the Whitney Museum of American Art, New York, NY; Los Angeles County Museum of Art, CA; the Museum of Fine Arts, Boston, MA; and the Nicola Erni Collection, Switzerland; among many others. Barney's work was included in the 1987 Whitney Biennial and has been the subject of major recent exhibitions at the Isamu Noguchi Foundation and Garden Museum, New York; the New Orleans Museum of Art, LA; the Frist Center in Nashville, TN; the Haggerty Museum of Art, Milwaukee, WI; the Museum of Art, Salzburg, Austria; and the Barbican Art Gallery, London, United Kingdom. A career-spanning, eponymous monograph on the artist was published by Rizzoli in September 2017. 

    This is Barney’s third solo exhibition at Kasmin after joining the gallery in 2015, and follows Four Decades (2015) and Landscapes (2018).
  • Works
    • Tina Barney, Waterslide in Fog, 1979
      Tina Barney, Waterslide in Fog, 1979
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    • Tina Barney, Golf Lesson, 1980
      Tina Barney, Golf Lesson, 1980
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    • Tina Barney, The Suits, 1977
      Tina Barney, The Suits, 1977
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    • Tina Barney, Pinafores (The Twins), 1977
      Tina Barney, Pinafores (The Twins), 1977
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    • Tina Barney, The Pool, 1978
      Tina Barney, The Pool, 1978
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    • Tina Barney, Amy, Phil and Brian, 1980
      Tina Barney, Amy, Phil and Brian, 1980
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    • Tina Barney, Cowboy Boots, 1976
      Tina Barney, Cowboy Boots, 1976
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    • Tina Barney, The Lifeguard, 1979
      Tina Barney, The Lifeguard, 1979
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    • Tina Barney, Rodeo Drive, 1980
      Tina Barney, Rodeo Drive, 1980
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    • Tina Barney, Women on Fifth, 1976
      Tina Barney, Women on Fifth, 1976
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    • Tina Barney, Hot Tub in Snow, 1979
      Tina Barney, Hot Tub in Snow, 1979
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    • Tina Barney, Judith Smoking, 1977
      Tina Barney, Judith Smoking, 1977
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    • Tina Barney, The Art Gallery, 1980
      Tina Barney, The Art Gallery, 1980
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    • Tina Barney, Shadows, 1979
      Tina Barney, Shadows, 1979
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    • Tina Barney, Girl Lifeguard, 1977
      Tina Barney, Girl Lifeguard, 1977
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    • Tina Barney, Striped Shirts, 1979
      Tina Barney, Striped Shirts, 1979
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    • Tina Barney, Yellow Towels I, 1979
      Tina Barney, Yellow Towels I, 1979
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    • Tina Barney, The American Wing, 1980
      Tina Barney, The American Wing, 1980
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    • Tina Barney, Moya, 1980
      Tina Barney, Moya, 1980
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    • Tina Barney, Cactus Shop, 1979
      Tina Barney, Cactus Shop, 1979
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    • Tina Barney, The Truck, 1979
      Tina Barney, The Truck, 1979
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    • Tina Barney, The Gun Club, 1980
      Tina Barney, The Gun Club, 1980
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    • Tina Barney, The Shower, 1980
      Tina Barney, The Shower, 1980
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      %3Cspan%20class%3D%22title%22%3E%3Cspan%20class%3D%22artist%22%3ETina%20Barney%3Cspan%20class%3D%22artist_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22title%22%3EThe%20Shower%3Cspan%20class%3D%22title_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22year%22%3E1980%3C/span%3E%3C/span%3E
    • Tina Barney, Award Ceremony, 1980
      Tina Barney, Award Ceremony, 1980
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      %3Cspan%20class%3D%22title%22%3E%3Cspan%20class%3D%22artist%22%3ETina%20Barney%3Cspan%20class%3D%22artist_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22title%22%3EAward%20Ceremony%3Cspan%20class%3D%22title_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22year%22%3E1980%3C/span%3E%3C/span%3E
    • Tina Barney, Touching the Swordfish, 1979
      Tina Barney, Touching the Swordfish, 1979
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      %3Cspan%20class%3D%22title%22%3E%3Cspan%20class%3D%22artist%22%3ETina%20Barney%3Cspan%20class%3D%22artist_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22title%22%3ETouching%20the%20Swordfish%3Cspan%20class%3D%22title_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22year%22%3E1979%3C/span%3E%3C/span%3E
    • Tina Barney, Ladies Lockers, 1980
      Tina Barney, Ladies Lockers, 1980
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      %3Cspan%20class%3D%22title%22%3E%3Cspan%20class%3D%22artist%22%3ETina%20Barney%3Cspan%20class%3D%22artist_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22title%22%3ELadies%20Lockers%3Cspan%20class%3D%22title_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22year%22%3E1980%3C/span%3E%3C/span%3E
  • News
    • Tina Barney featured in The New Yorker

      Tina Barney featured in The New Yorker

      by Vince Aletti March 18, 2023 View More
    • Tina Barney: The Photographer's Origin Story

      Tina Barney: The Photographer's Origin Story

      by Hilarie Sheets February 24, 2023
      With a show at Kasmin and a new book of rediscovered photographs, both called “The Beginning,” the ethnographer of the elite reflects on finding her...
      View More
  • Publications
    • Tina Barney: The Beginning

      Tina Barney: The Beginning

      2023
      Hardcover 112 pages
      Publisher: Radius Books
      ISBN: 9781955161213
      Dimensions: 11.75 x 11.75 inches
      View More
  • About the Artist

    Tina Barney
    Self-portrait by Tina Barney.

    Tina Barney

    Over the course of her 40-year career, acclaimed American photographer Tina Barney (b. 1945) has illuminated the inner lives of her subjects, observing the generational repetition of familial traditions and rituals as played out in domestic settings. Recognized for her large-format photographic portraits realized in vibrant color—and more recently, for her foray into landscape photography—Barney demonstrates the same complexity and sensitivity whether she is shooting world-renowned celebrities or the figures and faces of those known to her personally. 

    Barney’s photographs are in numerous public collections, including the Museum of Modern Art, New York, NY; the Whitney Museum of American Art, New York, NY; Los Angeles County Museum of Art, CA; the Museum of Fine Arts, Boston, MA; and the Nicola Erni Collection, Zug, Switzerland; among many others. Barney's work was included in the 1987 Whitney Biennial and has been the subject of major recent exhibitions at the Kunsthalle Wien, Austria; the New Orleans Museum of Art, LA; the Frist Center in Nashville, TN; the Barbican Art Gallery, London, United Kingdom; and the Museum of Art, Salzburg, Austria. In September 2017, Rizzoli USA published Tina Barney, an eponymous monograph spanning her four-decade international career.

    Barney's third solo exhibition with Kasmin, The Beginning, opened in March 2023. Concurrent with the exhibition, a book of fifty works was published by Radius Books.

    Learn More

  • Explore

    • Alexis Ralaivao: Éloge de l’ombre (In Praise of Shadows)
      Exhibitions

      Alexis Ralaivao: Éloge de l’ombre (In Praise of Shadows)

      May 15 – July 25, 2025 509 West 27th Street, New York
      For Éloge de l’ombre (In Praise of Shadows), Ralaivao unveils a suite of new paintings rendered entirely in black and white. Working within the self-imposed parameters of a reduced palette, Ralaivao sharpens his attention to composition, light and shadow. In arresting portraits and still life tableaux, Ralaivao magnifies the most subtle of details at grand scale by strategically framing his subjects. Influenced by film noir, Ralaivao’s works absorb the viewer into a romanticized world of drama and suspense as if the viewer has arrived at a narrative in media res.
    • Theodora Allen: Oak
      Exhibitions

      Theodora Allen: Oak

      May 7 – July 25, 2025 297 Tenth Avenue, New York
      Allen’s atmospheric oil paintings on linen depict natural phenomena and symbols chosen for their enduring presence in human history and culture, often drawing from mythology and medieval imagery. From hearts and infinity loops to rainbows and locusts, these subjects serve to underscore nature’s propensity for renewal following destruction. Branches of an oak tree, a powerful symbol of wisdom, strength and endurance, reappear. Through compositional devices, such as gates, windows, and architectural niches, Allen's illusionistic spaces create a dynamic interplay between inclusion and exclusion. Her scenes emerge as ruins burgeoning with life, offering glimpses into a realm where the natural world and the metaphysical entwine.
    • Alma Allen on Park Avenue
      Exhibitions

      Alma Allen on Park Avenue

      May 2 – September 30, 2025
Back to Past exhibitions

509 West 27th Street

New York
Tuesday–Saturday, 10am–6pm
+1 212 563 4474
info@kasmingallery.com

 

297 Tenth Avenue

New York
Tuesday–Saturday, 10am–6pm
+1 212 563 4474
info@kasmingallery.com

 

Kasmin Sculpture Garden

New York
On view from The High Line at 27th Street
Monday–Sunday, 7am-11pm
+1 212 563 4474
info@kasmingallery.com

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