Ali Banisadr: Red: Online
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Ali Banisadr’s latest painting, Red, embodies the existential force of the natural world and the artistic urge to reconcile chaos through the act of creation. Banisadr began the large-scale painting in late 2019 before stepping away from the work in January 2020. Despite its appearance of completion, Banisadr “had a sense that I needed to do more to it.” After the global pandemic struck and countries across the world went into lockdown, he says, “the work made sense to me in a new way.” Banisadr then revisited the painting with renewed dedication, finishing at the end of March 2020.
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Works
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I have always been interested in Henri Bergson's philosophy about how Consciousness is the property of the universe, it exists outside of us, our brains are like antennas and can tune into different frequencies of consciousness, the information is in the air like radio frequency, you just have to be able to tune in to catch it. This is how I work in the studio.
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Inspiration images from Ali Banisadr's studio
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The figures are about trying to stay true to my own memory of things, almost like a dream that is constantly shifting and just out of my grasp, a metamorphosis of transforming into some other element. I see my canvases as playgrounds for things from different times to dwell in; a sort of time machine where these figures can meet and exchange ideas.
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Pieter Bruegel the Elder, The Triumph of Death, 1562-63, Muse Nacional del Prado, Madrid
Hieronymus Bosch, Last Judgment Triptych (detail), 1504-08, Academy of Fine Arts, Vienna
Max Ernst, Europe after the Rain I1, 1940-42. Wadsworth Atheneum Museum of Art / Art Resource, NY / Ernst, Max (1891-1976) © ARS, NY -
For Banisadr, this is the main aspect that connects his art to that of Bosch: the creation of worlds that do not exist, but which encourage us to think about the world that surrounds us. Both artists cross the boundaries
between reality and fantasy, space and time.
-JULIA M. NAUHAUS, Bosch & Banisadr Ali Banisadr: We Work in Shadows -
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Hieronymus Bosch, Ascent of the Blessed (from the polyptych Visions of the Hereafter), 1505-15, Museo di Palazzo Grimani, Venice
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Lee Krasner, The Eye is the First Circle, 1960, © 2020 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York
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About the Artist
Portrait by Charlie Rubin -
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- Diana Al-Hadid
- Alma Allen
- Theodora Allen
- Sara Anstis
- Ali Banisadr
- Tina Barney
- Judith Bernstein
- JB Blunk
- Mattia Bonetti
- William N. Copley
- Cynthia Daignault
- Ian Davenport
- Max Ernst
- Liam Everett
- Leonor Fini
- Barry Flanagan
- Walton Ford
- Jane Freilicher
- vanessa german
- Daniel Gordon
- Alexander Harrison
- Elliott Hundley
- Robert Indiana
- Lee Krasner
- Les Lalanne
- Matvey Levenstein
- Lyn Liu
- Robert Motherwell
- Jamie Nares
- Nengi Omuku
- Robert Polidori
- Jackson Pollock
- Elliott Puckette
- Alexis Ralaivao
- George Rickey
- James Rosenquist
- Mark Ryden
- Jan-Ole Schiemann
- Joel Shapiro
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