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Curated by Udo Kittelmann, the exhibition Lion of God will be on view at Ateneo Veneto in Venice from April 17 through September 22, 2024.
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This year in Venice, Walton Ford will unveil a major site-specific exhibition featuring a new body of work conceived in response to the collection of the city’s historical institution Ateneo Veneto di Scienze, Lettere ed Arti. Lion of God will be Ford’s first solo exhibition in Italy, consisting of a series of monumental watercolor paintings that explore the historical, biological, and environmental resonance of the subjects of the library’s collection, particularly the figure of the lion in Tintoretto’s Apparizione della Vergine a San Girolamo (The Apparition of the Virgin to St. Jerome) (c. 1580). The presentation will span two rooms in the Ateneo—the Aula Magna on the ground floor, and the Sala Tommaseo hall where Tintoretto’s work will be moved into public view for the exhibition’s duration. Curated by Udo Kittelmann, who worked with Ford on the artist’s 2010-11 traveling European retrospective Bestiarium, Lion of God will open during La Biennale di Venezia’s preview week and remain on view through September 2024.
Ford has described Tintoretto’s Apparizione della Vergine a San Girolamo as “A poignant entry point into a visual discussion of our relationship with the natural world.” Depicting Saint Jerome in ecstasy, in the midst of a vision in which the Virgin Mary descends from heaven, the historic painting features the lion that the legend describes as befriending St Jerome after he pulls a thorn from its paw. The unlikely bond between the two characters is detailed in the The Golden Legend, a text that was widely circulated in Europe during the late Middle Ages and which has acted as a reference for Ford. Demonstrating a mastery of narrative that Ford himself shares, Tintoretto has rendered his lion in shadow. One of Ford’s new paintings—spanning almost ten feet in length—will invert the Venetian painter’s framing to powerfully foreground the animal’s experience.
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Jacopo Tintoretto, Apparizione della Vergine a San Girolamo (detail), c. 1580. Ateneo Veneto.
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Photo by Charlie Rubin
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© Staatliche Museen zu Berlin, Nationalgalerie. Photo by Juliane Eirich
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Ateneo Veneto di Scienze, Lettere ed Arti
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