Walton Ford: Watercolor Studies : Online

June 18 – July 19, 2024
  • On the occasion of Walton Ford’s concurrent solo exhibitions Lion of God in Venice, Italy and Birds and Beasts of the Studio in New York, this presentation offers an intimate look at the artist’s rarely-seen watercolor studies, uncovering Ford's working process, particularly the way he determines the color schemes and compositions of his monumental watercolor paintings. Staged exclusively online, Walton Ford: Watercolor Studies spotlights the preparatory sketches Ford made for his ongoing major site-specific exhibition Lion of God at the Ateneo Veneto in Venice.

  • “These studies are gestural, loose and expressive. That’s where the animal lives. What I’m doing much later in the process is attempting to retain as much of that freshness as possible.”
    —Walton Ford


  • Walton Ford Study for 'Namib', 2023 watercolor, gouache, pencil and pen on paper 5 x 10 inches 12.7 x 25.4...
    Walton Ford
    Study for 'Namib', 2023
    watercolor, gouache, pencil and pen on paper
    5 x 10 inches
    12.7 x 25.4 cm
  • Walton Ford Study for 'Culpabilis', 2024 watercolor, gouache, pencil and pen on paper 5 x 10 inches 12.7 x 25.4...
    Walton Ford
    Study for 'Culpabilis', 2024
    watercolor, gouache, pencil and pen on paper
    5 x 10 inches
    12.7 x 25.4 cm
  • Installation view, Walton Ford: Lion of God, Ateneo Veneto, Venice, Italy, 2024. Photo by Ginevra Formentini

     

  • These watercolors reveal an unexpected gestural style instrumental to Ford’s painting process. Rendered at comparable proportions to their related paintings,...
    Detail of Study for ‘Namib, 2023.
    These watercolors reveal an unexpected gestural style instrumental to Ford’s painting process. Rendered at comparable proportions to their related paintings, the works show a freshness and immediacy that reflect the artist’s touch, which Ford works to retain when translating his compositions into full scale paintings.
  • “I can’t find my way into a giant watercolor until I’ve done something like this.”
    —Walton Ford
  • Walton Ford Study for 'Memento', 2024 watercolor, gouache, pencil and pen on paper 6 1/4 x 4 inches 15.9 x...
    Walton Ford
    Study for 'Memento', 2024
    watercolor, gouache, pencil and pen on paper
    6 1/4 x 4 inches
    15.9 x 10.2 cm
  • Walton Ford Study for 'Phantom', 2023 watercolor, gouache and pencil on paper 5 x 10 inches 12.7 x 25.4 cm
    Walton Ford
    Study for 'Phantom', 2023
    watercolor, gouache and pencil on paper
    5 x 10 inches
    12.7 x 25.4 cm
  • Working at this scale enables Ford to test color relationships in a matter of moments. After creating quick and gestural...
    Detail of Study for ‘Memento’, 2024. 
    Working at this scale enables Ford to test color relationships in a matter of moments. After creating quick and gestural sketches on paper, Ford carefully composes a plan for applying layers of watercolor to his large-scale works.
  • Unparalleled in his transformative approach to natural history painting, Ford’s process is currently illuminated in the exhibition Birds and Beasts...

    Courtesy of The Morgan Library & Museum 

    Unparalleled in his transformative approach to natural history painting, Ford’s process is currently illuminated in the exhibition Birds and Beasts of the Studio, which celebrates the artist’s recent gift of 63 studies and sketches to The Morgan Library & Museum in New York.

  • “Walton both has connection to that tradition, but he also brings a completely modern sensibility and individual approach to this, because he’s looking at the complex role of climate change, of colonialism, and often brings satire and irony to bear on his subject matter.”
    —Jennifer Tonkovich, Curator of Drawings and Prints at The Morgan Library & Museum

  • Conceived in response to the figure of the lion in Tintoretto’s The Apparition of the Virgin to St. Jerome (c....

    Animal models in Walton Ford’s studio, 2023. Photo by Charlie Rubin

    Conceived in response to the figure of the lion in Tintoretto’s The Apparition of the Virgin to St. Jerome (c. 1580), which is exhibited alongside Ford’s paintings in Lion of God, these studies offer an intimate look at how Ford developed the visual narrative currently on view at the Ateneo Veneto.
  • Walton Ford Study for 'An Apparition', 2024 watercolor, gouache, pencil and pen on paper 9 x 5 inches 22.9 x...
    Walton Ford
    Study for 'An Apparition', 2024
    watercolor, gouache, pencil and pen on paper
    9 x 5 inches
    22.9 x 12.7 cm
  • Walton Ford Study for 'Luctus', 2024 watercolor, gouache and pencil on paper 4 x 6 1/4 inches 10.2 x 15.9...
    Walton Ford
    Study for 'Luctus', 2024
    watercolor, gouache and pencil on paper
    4 x 6 1/4 inches
    10.2 x 15.9 cm
  • Following the lion, a central protagonist in the story of St. Jerome in The Golden Legend, Ford’s works explore the...

    Installation view, Walton Ford: Lion of God, Ateneo Veneto, Venice, Italy, 2024. Photo by Ginevra Formentini 

    Following the lion, a central protagonist in the story of St. Jerome in The Golden Legend, Ford’s works explore the “power, beauty, and decline” of nature, according to curator Udo Kittelmann.
  • “Ford consistently questions a diverse range of expectations and established rules in contemporary aesthetics, creating a narrative about the arrogance of human nature—yesterday, today, and tomorrow…”
    —Udo Kittelmann, Curator of
    Walton Ford: Lion of God

  • Video by Mona Productions
  • Walton Ford: Lion of God curated by Udo Kittelmann, remains on view at the Ateneo Veneto, Venice, Italy, through September...

    Courtesy of The Morgan Library & Museum 

    Walton Ford: Lion of God curated by Udo Kittelmann, remains on view at the Ateneo Veneto, Venice, Italy, through September 22, 2024.


    Walton Ford: Birds and Beasts of the Studio
     
    remains on view at The Morgan Library & Museum, New York, through October 20, 2024.
  • About the Artist

    Walton Ford

    Photo by Charlie Rubin. All artwork © Walton Ford

    Walton Ford

    Ford’s work relates to humanity’s attempts to categorize and interpret the natural world. Drawing on naturalist sketches and dioramas, zoological records, mythology, fables, and art history, Ford’s coded poetics are wide-ranging in their references, calling upon the viewer to use these fragmented clues as a guide to interpret the subject matter. Ford’s anatomically precise works vividly illustrate the experiences, observations, and hidden histories of both their human and animal subjects.

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