Cynthia Daignault Joins Kasmin

October 28, 2021
  • Kasmin is delighted to announce representation of Cynthia Daignault (b. 1978). The artist’s first solo exhibition at the gallery will open on November 18, 2021, exploring the subject of Gettysburg National Military Park to propose a contemporary response to the genre of history painting. On view through January 8, 2022, the exhibition expands on themes explored in the artist’s earlier Light Atlas and Elegy series, investigating concepts of monument, memory, and the shifting experience of the natural world. Daignault joins the gallery's roster of artists as she presents a work on the same themes at the fifth New Museum Triennial titled Soft Water, Hard Stone, on view in New York from October 28, 2021, to January 23, 2022.

    Daignault’s work is in numerous public collections, including the Metropolitan Museum of Art, the Blanton Museum of Art and the Baltimore Museum of Art. She has presented solo exhibitions and projects at many major museums and galleries, including the Metropolitan Museum of Art, the Crystal Bridges Museum of American Art, MASS MoCA, the Modern Art Museum of Fort Worth, the Brooklyn Museum of Art, and White Columns.

    The first major monograph on her work, Light Atlas, was published in 2019. She is the recipient of numerous awards, including a 2019 Pollock-Krasner Foundation Grant, a 2016 Foundation for the Contemporary Arts Award, a 2011 Rema Hort Foundation Award, and a 2010 MacDowell Artist Fellowship. The artist received her BA in Art and Art History from Stanford University. She lives and works in Baltimore, Maryland.

    Daignault will continue to work with Night Gallery, Los Angeles.

  • About the Artist

    Cynthia Daignault
    Photo: Curran Hatleberg, courtesy of Cynthia Daignault

    Cynthia Daignault

    Cynthia Daignault investigates concepts of monument, memory, and the shifting experience of the natural world in a contemporary response to the genre of history painting. For Daignault, landscape is witness. Throughout her practice, she draws parallels between the environmental setting and the mechanical act of seeing. This investigation into optics acts as a metaphor for the polarities at the heart of American life and the reverberations of historical trauma.

    History painting, for Daignault, is an act of poetry. In this, her approach recalls the work of Felix Gonzalez-Torres, who engaged with political history through the creation of quiet, specific and powerful metaphors. Her paintings are often installed in series, a prominent example of which includes Light Atlas (2016), a collection of 360 paintings from the artist’s travels across the continental US. Daignault’s first exhibition at Kasmin, As I Lay Dying, opened at Kasmin in November 2021. The exhibition expanded upon themes from Light Atlas but at the specific site of Gettysburg, PA, as the artist asks us to walk with her in order to learn how, or from which vantage point, we might better understand the past. Daignault’s work was included in the New Museum Triennial in 2021. 

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