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Nengi Omuku elected to the inaugural Artist Council at the Museum of West African Art
July 14, 2025 View More -
Theodora Allen: Oak reviewed in Observer
by Elisa Carollo July 3, 2025 Ethereal and mystical, Theodora Allen’s enigmatic paintings occupy a space untethered from any specific time or place. In her latest exhibition at Kasmin’s Tenth Avenue space, the Los Angeles–based artist presents a series of vertical canvases conceived as portals—fractured monuments and stone facades split open to reveal luminous blue skies. From these ruptures emerge delicate silhouettes of germinating flora, evoking rebirth through ruin and the quiet persistence of life beyond collapse. Anchoring the room is a large horizontal landscape: an icy terrain, cracked and splintering, that evokes the environmental trauma of a wounded earth visibly scarred by human interference. Yet even this rupture becomes a threshold, opening onto other worlds and dimensions, suspended between a shadowed underworld and a luminous upper realm where a glowing arc of light cuts through an ethereal blue sky. View More -
Alexis Ralaivao: Éloge de l’ombre (In Praise of Shadows) reviewed in The Brooklyn Rail
by Alfred Mac Adam July 1, 2025 So arch, so witty, so guided by ideas is Alexis Ralaivao’s show that it might be construed as a revival of the anti-realist Mannerism of Pontormo or Rosso Fiorentino. Ralaivao’s perverse version of Mannerism manifests itself first in the concetto (or conceit) that these twelve oils on canvas are painted exclusively in black and white, so they are in effect paintings made to imitate photographs from an era before color photography. Ralaivao is not like a Weegee armed with brushes, so he avoids overt violence, managing instead to capture instants of passion, of erotic arousal, even ecstasy. The origin of these powerful but subtly expressed passions lurks in the source of his title, Jun’ichirō Tanizaki’s 1934 essay “In Praise of Shadows.” Ralaivao’s titles allude to matters Tanizaki discusses, but his work is far from a mere illustration of the Japanese novelist’s ideas. View More
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Diana Al-Hadid interviewed in The Brooklyn Rail
by Elizabeth Buhe July 1, 2025 Diana Al-Hadid creates freestanding sculptures, wall-based relief paintings, and works on paper to examine the narrative frameworks that inform human culture. Born in Syria, Al-Hadid immigrated to the United States as a child and grew up in Ohio. On the occasion of her exhibition, unbecoming, at the Eli and Edythe Broad Art Museum at Michigan State University, Al-Hadid joined Elizabeth Buhe on the New Social Environment (Episode #1240). Their conversation, edited for print, touches on a range of topics, including the relationship of the body to architecture, what it means to be unbecoming, and why images of women in motion are so important to the artist. View More -
Ali Banisadr: The Alchemist reviewed in Canvas Magazine
by Osman Can Yerebakan June 26, 2025 The wind blows from all corners in The Alchemist, Ali Banisadr’s first survey exhibition in the USA. It is not just the mighty gusts of wind cutting through the upstate New York hamlet that might howl across the show’s paintings, drawings and sculptures at the Katonah Museum of Art. In the Iranian-American artist’s turbulent semi-abstractions and confronting figurations, the whirlwinds of time and place sweep and storm. Procession and instability combat each other in oil on linen paintings with no eventual winner; failure is also the sole outcome of a search for serenity. Banisadr’s universe, however, does not compromise hope: the task at the viewer’s end is to seek the snippets of sunshine through the density of paint and disarray. View More -
Ali Banisadr: The Alchemist reviewed in Hyperallergic
by Seph Rodney June 15, 2025 Ali Banisadr makes images that are relentless in their toiling motion — he paints as if bedlam is foundational to the world. View More
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2025 Dedalus Foundation Citywide High School Scholarship Exhibition
June 4, 2025 Since 1999, the Dedalus Foundation has awarded scholarships to graduating seniors from New York City public high schools who plan to attend college and have shown excellence in fine art. Submissions were judged by a panel composed of artists and educators. View More -
Ali Banisadr: The Alchemist reviewed in The Brooklyn Rail
by Susan Harris June 4, 2025 Ali Banisadr: The Alchemist is a sweeping survey of the artist’s last twenty years of work in which visitors bear witness to dazzling personal and collective worlds and embedded gestures that explode across and beyond the confines of the canvases. Alchemy, indeed, lies at the core of the enigmatic topographies and difficult-to-discern figures in paintings that are distinctively grounded in a fusion of abstraction and figuration—not as painterly strategy but as an outcome of an intuitive, empathic process involving synesthesia, a phenomenon unique to certain individuals in which one sense triggers a response in another sense. View More -
Kasmin x Artsy benefit for Artistic Noise featured in Cultured Magazine
May 21, 2025 Kasmin and Artistic Noise Rally the Art World for a Record-Breaking Auction to Support Youth Impacted by the Justice System The third annual Artistic Noise Benefit Auction brought together artists, collectors, and advocates at Kasmin and The Manner to raise critical funds. View More
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Public Reception: Kasmin x Artsy benefit for Artistic Noise
May 19, 2025 View More -
Alma Allen on Park Avenue featured in ELLE Decor
by Osman Can Yerebakan May 2, 2025 Artist Alma Allen debuts the public art project, which remains on view until September. View More -
Helena Foster: Time Honoured featured in Plus Magazine
April 18, 2025 Walking into Helena Foster’s “Time Honoured” at Kasmin, you’re met with a hush—a sacred quiet that wraps around each painting like breath held in contemplation. Though it marks the first solo show in New York for the London-based painter, Foster’s presence feels neither new nor foreign. Her work carries the gravity of ancestral memory, the lyricism of oral storytelling, and the immediacy of the present. Through her meticulous layering of oil on linen, paper, and vellum, she offers something rare: paintings that speak not in proclamations but in visual whispers—proverbs rendered in earth tones and radiant light. View More
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Announcing Alma Allen on Park Avenue
April 16, 2025 Kasmin, in collaboration with The Sculpture Committee of The Fund for Park Avenue and NYC Parks’ Art in the Parks, announces an exhibition of 10 major sculptures by Alma Allen (b. 1970, Utah), which will be installed along Park Avenue in New York from May until September 2025. Unique bronze and onyx sculptures, including examples reaching over 10 feet tall and realized especially for the exhibition, will be on view at eight sites that span nearly 20 blocks of the Park Avenue Malls between East 52nd and East 70th Streets. This public exhibition is Allen’s largest outdoor installation to date. View More -
vanessa german featured in Colossal
by Kate Mothes April 8, 2025 vanessa german Channels Metaphysical Healing Powers in a Series of Monumental Assemblages View More -
Ali Banisadr: The Alchemist featured in The Grand Tourist
by Vasilisa Ioukhnovets March 19, 2025 View More
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Ali Banisadr featured in Cultured Magazine
by John Vincler March 14, 2025 View More -
Alma Allen featured in Galerie Magazine's Creative Minds
by Jacoba Urist March 14, 2025 View More -
Theodora Allen featured in Art Basel
by Ingrid Luquet-Gad March 11, 2025 View More
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Morgan Falconer & Mark Polizzotti on "How To Be Avant-Garde"
March 6, 2025 Reacting to the tumultuous crises of the twentieth century, especially the horrors of World War I, avant-garde artists and writers sought to destroy art by transforming it into the substance of everyday life. How to Be Avant-Garde is a journey through the interlocking networks of these richly creative lives with their visions of a better world, their sometimes sympathetic but often strange and turbulent conversations, and their objects and writings that defied categorization. View More -
Judith Bernstein reviewed in Artforum
by Max Lakin March 1, 2025 Being the screaming conscience for a society that would prefer to not be bothered by one is a tough gig. Fortunately, our culture provides enough moral failure to keep things fresh. With a Jersey girl’s sailor mouth and an optically assaultive style that approaches (but of course can never match) the reality it critiques, Judith Bernstein, one of feminist art’s toughest and funniest instigators, has borne unwavering witness for nearly sixty years to this country’s deficiencies of decency, its misogyny and violence, its hypocrisies and compromises. Her work elicits a double-edged feeling: catharsis over the fact that someone else is outraged, and despondence that her anger remains perpetually relevant. View More -
Diana Al-Hadid featured in Family Style
by Meka Boyle February 23, 2025 The natural world shines through in Diana Al-Hadid’s new, labyrinthine works, in which intricate layers congeal into views of the trees and sky. View More
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Announcing Robert Indiana: The Source, 1959–1969
February 19, 2025 Kasmin announces Robert Indiana: The Source, 1959–1969, a focused survey of the transformative decade in which Indiana established his unique artistic language, achieving wide recognition and cementing his place as an icon of American art. Featuring over 20 paintings drawn exclusively from the artist’s personal collection as endowed by Indiana to the Star of Hope Foundation, the exhibition will also include an example from the artist’s first edition of LOVE sculptures, conceived in 1966 and executed between 1966 and 1968, and a vitrine display of archival materials including some of the artist’s journals. This exhibition marks Kasmin’s first collaboration with the Star of Hope Foundation, which was established by the artist in his lifetime, and the gallery’s eighth solo Indiana exhibition since 2003. Robert Indiana: The Source, 1959–1969 will be on view at 509 West 27th Street, New York, from February 27–March 29, 2025. View More -
Diana Al-Hadid interviewed in Frieze
by Livia Russell February 18, 2025 Artist Diana Al-Hadid looks to the skies in new paintings showing at Frieze Los Angeles View More -
In Conversation: Judith Bernstein & Joan Semmel
February 5, 2025 Join artist Judith Bernstein and Catherine Morris, Sackler Senior Curator for the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, on the occasion of the ongoing exhibition, Judith Bernstein: Public Fears. RSVP Here
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Lyn Liu featured in Artnet News
by Leo Yuan February 5, 2025 The Brooklyn-based artist makes her Mexico debut with "H-Dropping" a solo show at Kasmin's Casa Siza. View More -
Judith Bernstein: Public Fears reviewed in Hyperallergic
by Natalie Haddad February 3, 2025 Judith Bernstein Warns Us: Never Again! That Bernstein’s political art is still so relevant is chilling, but like the first time around, it remains a source of comfort that we have her to lead us through. View More -
Judith Bernstein featured in The New York Times
by Phoebe Hoban January 30, 2025 "Unrelenting, unrepenting, the artist who made a name for herself with huge drawings of hairy phallic screws presents a world of work with exuberant energy over 60 years." View More
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Judith Bernstein: Public Fears featured in The Art Newspaper
by Tim Schneider January 30, 2025 As anxieties grow about a new era of cultural repression, artists and institutions are finding ways to come together and push back View More -
‘Subtlety Is Not My Forte’: A Conversation with Judith Bernstein in Frieze
by Juliet Jacques January 17, 2025 Judith Bernstein’s third solo exhibition at Kasmin, New York, surveys her work from 1966 to the present, showing how she has fearlessly confronted militarism and misogyny in the US, from the Vietnam War to Donald Trump’s impending second presidency. She talks to Juliet Jacques about her use of genitalia and slogans, her involvement with the Guerrilla Girls and how art might be a weapon in a time of intense anti-feminist and anti-LGBTQ+ reaction. View More -
In Conversation: Emil Sands & Eleanor Nairne
January 9, 2025 Before the opening reception, artist Emil Sands will discuss his new body of work and exhibition Salt in the throat with Eleanor Nairne, Keith L. and Katherine Sachs Curator of Modern and Contemporary Art and Department Head, Modern and Contemporary, Philadelphia Museum of Art. View More
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Ali Banisadr in Cultured
In conversation with Author Orhan Pamuk November 27, 2024 View More -
Elliott Puckette: Unfolding reviewed in The Brooklyn Rail
by Ekin Erkan November 2024 Elliott Puckette’s eleventh solo exhibition at Kasmin Gallery, Unfolding, includes two bronze sculptures and eight ink, gesso, and kaolin on wood panel paintings. The latter’s gessoed grounds and ink base layers are applied in marbled monochromatic washes of swirling aniline grey and grisaille silver. Where these iron clouds break, uneven crepuscular cleaves of dusted alabaster light splinter through like lightning. Each work is marked by white razor blade arcs—Puckette’s signature lines. The gyrations of these serpentine, lineal furrows are first etched and then deepened with cross-hatching as Puckette further subtracts the line from the wood panel, the recesses making negative space material. View More -
Bosco Sodi: Beyond Wilderness
He Art Museum November 10, 2024 He Art Museum (HEM) will present Bosco Sodi's largest solo exhibition in Asia. Co-curated by the artist and HEM, the exhibition will span three floors of the museum, presenting over 100 works from the artist's career including paintings, sculptures and site-specific installations. View More
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Alma Allen in Art Basel Magazine
by Jacoba Urist November 5, 2024 View More -
Diana Al-Hadid: unbecoming
MSU Broad Art Museum November 5, 2024 View More -
Matvey Levenstein: Zone reviewed in Artforum
by Barry Schwabsky November 1, 2024 View More
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Nengi Omuku featured in Hyperallergic
by Natalie Weis October 3, 2024 Aso oke, a handwoven cloth that originated with the Yoruba people in Western Africa, finds its most luxurious form in the sanyan style, which is composed of indigenous wild silk and cotton threads and used in traditional garments for special occasions. After receiving an MA from the Slade School of Fine Art in 2012, Nengi Omuku returned home to Nigeria where she recognized the revered fabric as an opportunity to integrate her cultural heritage into her artistic practice. While she began by sourcing vintage sanyan dress sets and meticulously deconstructing and restitching the garments into flat canvases, she now has the cloth made by a Nigerian collective. Omuku’s oil paintings are lush and impressionistic, situating figures within flattened, Fauvist vegetation or against dramatic cloudscapes. Her palette is bright and pleasing (often cued by the colored threads running through the vintage fabric) and softened by her light brushwork — hazy dreamscapes of harmonious coexistence. —Natalie Weis View More -
A New Pair of Glasses in The Brooklyn Rail
by Ali Banisadr October 2, 2024 View More -
Matvey Levenstein: Zone in The Brooklyn Rail
by Alex Grimley October 2, 2024 Matvey Levenstein’s paintings depart in a similar manner. Distance is a primary characteristic of his art, but it is not the distance of irony or detachment. It is, rather, that of memory, of nostalgia, realized in painterly terms. Though the small scale of these works draws us closer, the surface and scene seem to dissolve rather than gain in definition as one approaches. The soft edges of mist shrouded trees and distant telephone poles blur with proximity, like the paint surface itself, which reveals little of the artist’s brushwork. View More
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Announcing Exclusive Global Representation of Jackson Pollock
September 27, 2024 Kasmin announces exclusive global representation of the artwork of Jackson Pollock (1912–1956) through the Pollock-Krasner Foundation. Pollock was an Abstract Expressionist painter and defining figure of postwar American art, whose paintings and visionary techniques rank among the most recognizable and influential among the 20th century. In just under three decades, Pollock revolutionized the modes of art making for generations to come. View More -
The Art Newspaper: Kasmin to represent Jackson Pollock's work worldwide, next to Lee Krasner
by Hilarie M. Sheets September 27, 2024 Kasmin to represent Jackson Pollock’s work worldwide, next to Lee Krasner The gallery’s partnership with the Pollock-Krasner Foundation expands eight years after it began View More -
Encyclopedia: The Late Collages of Dorothea Tanning featured in Hyperallergic
by Natalie Weis September 25, 2024 Encyclopedia: The Late Collages of Dorothea Tanning brings together 19 collaged works, most of which date from the late 1980s. Tanning had already published the first of her two memoirs and was increasingly turning to literary pursuits. The collages, with their scraps of fabric, tissue, paper, watercolor, and ink, can give the sense that the artist picked up past works’ detritus from her studio floor and decided she might as well make art out of it. Largely abstract, with a few figurative elements (the artist’s hands, cats’ paws, a faucet, a bicycle), the pieces serve to ignite viewers’ imaginations and encourage them to fashion their own interpretations. View More
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Tina Barney: Family Ties featured in The New York Times
by Jane Levere September 25, 2024 This fall, the Jeu de Paume, France’s national photography museum, is honoring the American photographer Tina Barney, a chronicler of social mores both in the United States and overseas, with her largest European retrospective to date. View More -
Diana Al-Hadid elected to the National Academicians in the Class of 2024
September 24, 2024 View More -
Tina Barney: Family Ties featured in Cultured
by Mara Veitch September 23, 2024 View More
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A Milestone Year For Trailblazing Artist Bernar Venet in Forbes
by Y-Jean Mun-Delsalle September 21, 2024 A Milestone Year For Trailblazing Artist Bernar Venet In 2024, acclaimed French artist Bernar Venet celebrates both his remarkable 65-year career and the 10th anniversary of the Venet Foundation, a cultural landmark in Le Muy in southeastern France dedicated to his towering sculptures and contemporary art collection. View More -
Tina Barney interviewed in W Magazine
by Kat Herriman September 20, 2024 Tina Barney on Her Paris Exhibition, Family & the Importance of Fashion — The 78-year-old photographer has spent a lifetime behind the lens—but don’t call her latest show a retrospective. View More -
Nengi Omuku: Wild Things and Perennials reviewed in Cultured
by John Vincler September 11, 2024 The Nigerian artist, in her New York solo debut at Kasmin Gallery, proves herself an expert at painting scenes of groups and crowds in surreally imagined spaces of clouds, fields of flowers, and seascapes. View More
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Les Lalanne at Transamerica Pyramid Center
September 6, 2024 View More -
Electroacoustic Harpist Emily Hopkins at Kasmin
Pollock-Krasner House and Study Center Resonance Music artist-in-residence August 23, 2024 View More -
vanessa german featured in The New York Times
by Aruna D’Souza August 10, 2024 View More
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Bernar Venet at the Paris Olympics featured in Artsy
August 8, 2024 View More -
Nengi Omuku featured in Frieze
by Emily Steer August 6, 2024 View More -
THE MOSS ROOM
Manitoga / The Russel Wright Design Center July 29, 2024 View More
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Bosco Sodi's Casa Siza featured in the Wall Street Journal
by Sarah Medford July 18, 2024 View More -
Julia Isídrez: Mundo de Julia reviewed in Frieze
by Mariana Fernández July 4, 2024 View More -
vanessa german interviewed in Colossal
by Grace Ebert July 2, 2024 View More
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Ali Banisadr x Huma Bhabha for Elephant
June 1, 2024 Ali Banisadr x Huma Bhabha: “I wonder about how to put a fragmented world back together” -
NARES TRACES featured in The New York Times
by Max Lakin May 30, 2024 View More -
Kasmin x Artsy Benefit Raises $100,000 for Artistic Noise
May 23, 2024 Kasmin x Artsy Benefit Raises $100,000 for the Harlem based, Artistic Noise. View More
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Jamie Nares interviewed for Screen Slate
by Alexandra Coburn May 22, 2024 View More -
Ali Banisadr for Louisiana Channel
May 21, 2024 View More -
vanessa german on Good Morning America
May 21, 2024 View More
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TEFAF New York's energetic opening brings cautious optimism to the trade
by Tim Schneider May 10, 2024 View More -
Kasmin x Artsy Benefit Auction 2024 in support of Artistic Noise
May 1, 2024 Kasmin, in collaboration with Artsy, is proud to present the second annual online auction in support of Artistic Noise, a Harlem-based nonprofit that creates artistic, entrepreneurial, and therapeutic experiences for young people whose lives have been impacted by the juvenile court system, foster care system, mental health care system, and more. Artistic Noise’s programming supports their community of young artists across a variety of needs and creates safe and celebratory spaces where system-impacted young people can be seen, heard, and supported on their pathways to adulthood. View More -
Les Lalanne featured in Artnet News
by Devorah Lauter April 10, 2024 View More
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Naama Tsabar featured in ArtReview
by Cassie Packard April 9, 2024 View More -
Alexis Ralaivao joins Kasmin
March 13, 2024 Kasmin is delighted to welcome Alexis Ralaivao (b. 1991, France) to the gallery. View More -
Lee Krasner: The Edge of Color featured in Vogue
by Grace Edquist March 1, 2024 View More
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Leonor Fini featured in Artnet News
by Adnan Qiblawi March 1, 2024 View More -
vanessa german profiled in Artnet News
by Annikka Olsen February 28, 2024 View More -
James Rosenquist at MoMA
February 2024 View More
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An Evening with Jamie Nares at MoMA
January 22, 2024 View More -
Women, Bronze, and Dangerous Things reviewed in Frieze
by Rebecca Rose Cuomo January 5, 2024 View More -
vanessa german awarded the Joyce Foundation Fellowship
January 1, 2024 View More
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