Press Archive



Robert Motherwell Found Unlikely Inspiration in Architecture

Architectural Digest

March 22, 2019

As one of the founders of the Abstract Expressionist movement, Robert Motherwell was nothing if not ambitious. "It took a lot of courage for Motherwell to make these," remarks Kasmin gallery's director Eric Gleason, as he gestures towards the sweeping canvases pinned to the gallery's walls. "When he was making these, there just weren't very many big spaces to show them. He knew he would be sacrificing visibility for a lot of these." Given the sheer abundance of galleries and art spaces in New York City alone—throw a stone in Chelsea and you're apt to hit a white cube—it's difficult to imagine that there weren't many spaces to show 9" tall paintings in 1970's New York, but aside from Sidney Janis and Marlborough Gallery, such was the case.

9 Art Events to Attend in New York: Robert Motherwell


March 18, 2019

Under the title Sheer Presence, this exhibit showcases eight large paintings created by Robert Motherwell between the 1960s and 1990, the year before his death. The title alludes to a state Motherwell once said he hoped to achieve: “sheer presence, beingness, as such, objectivity and true invention.” Among the works included is Open No. 97: The Spanish House (1969), a work from Motherwell’s Open series that features the outline of a rectangle inscribed on a monochromatic background.

A monumental Robert Motherwell show

Financial Times

March 18, 2019

Sheer Presence: Monumental Paintings by Robert Motherwell will be staged at the Kasmin Gallery in New York from March 21 to May 18 in what will be the first exhibition to focus exclusively on the late artist’s large-format works dating from the 1960s to 1990s. The event is also set to include a group of seminal paintings from The Dedalus Foundation, the arts organisation founded by Motherwell in 1981.

The abstract expressionist’s masterworks, some measuring 304cm x 223cm, promise to be a visual feast set against the Kasmin’s spare 279sq m interior. The eight graphic canvases on view include Dublin 1916, with Black and Tan (1963-64); The Forge (1965-66/1967-68); and The Grand Inquisitor (1989-90). Motherwell was known for his gestural, broad brushstrokes and dramatic contrasts of colour, but this exhibition also includes subtler works such as Open in Grey with White Edge (1971) – a soothing acrylic with faint hints of charcoal on canvas. Select pieces in the exhibition will be for sale through the gallery, priced from $2m to $10m.

In a career spanning over five decades, the prolific Motherwell was a painter, printmaker, teacher and editor, and these works are among his most visually arresting. “Motherwell was an especially emphatic, intuitive mark-maker, and the large-format canvas provided a vehicle for him to really embrace his painterly ambitions,” says Kasmin Gallery director Eric Gleason.

David Wiseman: profound love for nature

TL Mag

March 14, 2019

In his young, but successful career, David Wiseman has caught the attention of many through his profound love for nature and respect for the history of decorative arts and contemporary design. Ranging from transformative room installations to mesmerizing furniture, the L.A. based designer creates his dream world by drawing inspiration from the world around him. TLmag had the pleasure to sit down and talk to him about his first show at Kasmin Gallery which is on show from March 14 until April 27,  and the -soon to be opened- Wiseman Studio.

9 Art Events in New York: Naama Tsabar


March 11, 2019

With “Dedicated,” her latest solo outing, Naama Tsabar continues her examination of the role gender plays in music-making and performance. Bringing together three bodies of work, the show features a site-specific sculptural and sonic installation, works on canvas that function as amplifiers, and photographs set in the artist’s studio. The artist and a group of female musicians will stage a performance at the gallery in May, on the closing night of the exhibition.

Inside Bosco Sodi’s Sprawling Red Hook Studio

Galerie Magazine

March 5, 2019

When Hurricane Sandy barreled through New York City in 2012, few neighborhoods were hit as hard as Red Hook, on the Brooklyn waterfront. After the storm surge receded, the pier at the end of Van Brunt Street was stained scarlet, like the remnants of a brutal crime scene perhaps. And, indeed, the devastation that confronted the artists, nonprofits, and businesses occupying the pier's 1860s brick-and-stone warehouses was horrible. Bosco Sodi, whose washed-away cache of pigments was responsible for the red residue, lost 18 of the process-intensive paintings he is best known for—their cracked and densely encrusted surfaces calling to mind lava fields or desert landscapes, often in vivid monochrome hues. A year's worth of his work was gone. 

Creative Minds

Galerie Magazine

March 1, 2019

"This is the busiest chapter of my life," says Los Angeles artist and designer David Wiseman, "but since I've been working, I've always said the same thing." There's the slew of custom commissions, including a chandelier canopy that conjures "an overhead, glowing dream garden made of plaster, porcelain, and rock crystal," which his studio is working on for a high-profile celebrity couple. New pieces in an exhibition opening March 14 at Kasmin in New York, Wiseman's first with the gallery, will demonstrate just how his work bridges art and design. In his quest to realize a perfect jungle paradise, Wiseman will debut wallpaper depicting monkeys and a lagoon at the show as well, plus a monolithic marble fireplace with a collage composition of "fish scale, clover, chrysanthemums, water, and shark teeth." – J.T. 

Six Must-See Figurative Painting Shows in New York

Galerie Magazine

March 1, 2019

Theodora Allen approaches plant life somewhat more slyly by softly weaving it into her symbolic still lifes. Blurring the boundary between landscapes and mindscapes, Allen untangles the medieval histories of Norse and English cultures to create sublime paintings of flora-filled shields and monuments. The shields envelop such psychoactive and medical plants as belladonna, marijuana and opium poppies, while the monuments depict the symbology of medieval Tarot cards—the cup, the coin, the branch, and the sword—in arched window-like forms surrounded by the same type of mentally destabilizing plants and weeds. Painted with a luminous, misty-blue, monochromatic palette, Allen’s enchanting canvases share the aesthetic appeal of early cyanotype pictures made by the first photographers during the Romantic era—thankfully resurrecting that poetic style for these uncertain times.

Matvey Levenstein Joins Kasmin Gallery


February 26, 2019

Matvey Levenstein’s paintings explore themes of history and representation, speaking to the relevance of Romanticism in the 21st Century. His quiet meditations are filtered through the most traditional painterly genres—the landscape, the still life, and the portrait—and are imbued with a distinctly literary sensitivity. A sincere engagement with nature, combined with the prevalent cinematic aspects of Levenstein’s work, call to mind radical 20th-century filmmakers such as Andrei Tarkovsky and Ingmar Bergman.

Making in the Magic: Theodora Allen's weald at Kasmin Gallery


February 26, 2019

Theodora Allen first began showing her otherworldly, ethereal paintings at Blum & Poe, the gallery that represents her in Los Angeles, where she lives and works. From her debut show in Los Angeles in 2015, to her first solo show in New York currently on view at Kasmin Gallery (Theodora Allen, weald, Kasmin Gallery, New York (January 24 - March 9, 2019), Allen’s work is consistently enchanting and worthy of deeper discussion.

Goings on About Town: Matvey Levenstein

The New Yorker

February 25, 2019

Can loveliness shock? Yes, as witness the fantastically skilled and sensitive neo- or para- or faux-Romantic (you decide) work of Matvey Levenstein, a forty-nine-year-old Russian-American artist. The subjects of his paintings and ink drawings (at the Kasmin gallery through March 2), some on copper or wood, are forthrightly generic: landscapes from around Levenstein’s home, on the North Fork of Long Island, floral still-lifes, and a portrait of his wife, the painter Lisa Yuskavage, in a white bathrobe. Layered grays, orange-flavored sepia, and the odd palely simmering pink or blue constitute—or conjure, or exhale—spectral woods, clouds, a snow-covered ancient graveyard, and a storm at sea. Caspar David Friedrich comes to mind as an ancestral spirit, but the work recalls no specific precedent. Its tenor is coolly confident, assuming a viewer’s empathy. That jolts. You would expect a wink or a nudge, or a smack of naïveté or perversity in so atavistic a style. But no soap. Levenstein’s temerity fascinates.

— Peter Schjeldahl

Levenstein's Long Exposures

The New Criterion

February 21, 2019

Matvey Levenstein is notoriously slow with the brush, finishing only a dozen or so paintings or sumi ink drawings each year. It’s time well spent, and, partly as a result, his work is an anti-expressionistic respite from this insane cultural moment. The finely wrought paintings in his current exhibition at Kasmin Gallery in New York—landscapes and interior still lifes—whisper their purpose rather than shout, in the way that Dana Schutz’s wildly aggressive figurations just down Tenth Avenue do.

Artist Theodora Allen Embraces the Elements at Kasmin Gallery

Cultured Magazine

February 7, 2019

In Theodora Allen’s paintings, weeds grow, translucent but stubborn. The plants themselves are drawn with scientific precision, specimen-like. While so many paintings these days announce themselves as artworks, bellowing their contemporaneity, her works seem almost like artifacts, remnants of something simultaneously here and not here—like a glassy Xerox of an ancient illuminated manuscript. They are what I imagine I’d find inside Hildegard von Bingen’s dream journal, if she were born in California in 1985.

Matvey Levenstein

The Brooklyn Rail

February 5, 2019

There are fifteen oils on wood, canvas, or copper, and six large Sumi ink drawings on paper in Matvey Levenstein's first solo show in New York since his exhibition at the now-closed Larissa Goldston Gallery in 2009. Dating from 2015 to 2018, the works address traditional genres of landscape, still life, and portraiture, but Levenstein has developed a process that combines art historicism, casual photography, and technical rigor via a realistic perfectionism that both guides you into the artist's own world and lends magnitude to the quotidian. The pictures do not resemble those of Vermeer, but these explorations of settings of subtle historical significance on Long Island's North Fork around Orient, New York, elicit a similar level of truth.

Art Gems of NYC: Three exhibitions worth pulling up to this month

Kulture Hub

February 2, 2019

First stop is Kasmin Gallery in Chelsea for two amazing shows. “Les Lalanne” includes over 30 works by world-renowned French sculptors Claude and Francois-Xavier Lalanne and “Polaroid Portraits” includes dozens of Polaroids taken by Andy Warhol himself.

NYC’s Kasmin Gallery Hosts Les Lalanne Menagerie Curated by Louis Benech

Interior Design

January 30, 2019

The Chelsea outpost of the Kasmin galleries is a staple in New York City’s contemporary art scene. Its most recently-opened exhibition is a collaboration between renowned landscape architect and designer Louis Benech and the ever-imaginative sculptor duo Les Lalanne.

More than 30 sculptures from François-Xavier and Claude Lalanne were hand-picked by Benech for the exhibition, the installation of which is evocative of the artists’ home studio garden in Ury, France. It’s a whimsical scene to take in: a cast-iron baboon "Babouin" perches stoically while monkeys entangle themselves in the branches of a bronze chandelier "Structure Vegetale avec Singes". Nearby, the duo’s signature sheep seem to observe both gallery-goers and the rest of the sculptural menagerie.

Theodora Allen’s Ghostly Paintings Hark Back to the Middle Ages


January 30, 2019

Viewing myths and fairytales from a Humanist perspective, the American painter’s latest body of ethereal works reference the plants that contributed to the first widely used anaesthetics, as well as weeds and wildflowers in her native LA. Margaret Andersen visits her in the sunny Pasadena studio where she lives and works.

Louis Benech Celebrates Les Lalanne in Curatorial Debut

Galerie Magazine

January 30, 2019

Having completed over 300 projects from South Korea to Morocco, there’s not much that world-renowned landscape architect Louis Benech hasn’t done in his 30-year career. He even created the first contemporary garden for the Château de Versailles, a watershed moment that vaulted him to international acclaim. But before Kasmin’s enchanting Les Lalanne exhibition opened in New York last week, Benech had never been a curator.

The gallery’s founder, Paul Kasmin, tapped Benech due to his close personal relationship to French sculptors Claude and Francois-Xavier Lalanne, the married couple known collectively as Les Lalanne. In producing the show, Benech tracked down 45 of the duo’s whimsical works, including functional sculptures shaped like sheep, crocodiles, and monkeys, to just name a few.

Claude and François-Xavier Lalanne Work on View in a Maze-Like Exhibition at Kasmin

Architectural Digest

January 26, 2019

This exhibition marks another exciting leap of sorts for the relationship between Kasmin and the Lalannes. Paul Kasmin himself was the first to show the Lalannes' work in the United States—and has shown them many times since—and now, 30 years after Kasmin's opening, this exhibition is staged in the gallery's newest space on 27th Street in Manhattan, which opened last fall. To put an architectural spin on the setting for the the objects, Kasmin called on garden guru and AD100 Hall-of-Famer Louis Benech to turn the space into a labyrinth-meets-white-box-gallery and help curate the selection of objects. Walking through the double-height doors, one is only confronted with a bulbous bronze apple and 10-foot-tall mirror, both by Claude. "He’s broken up the entire gallery space to make it feel intimate, so he’s divided it into alleyways with a forced perspective," explains Dicconson. "So when you enter the show, you see an apple and a mirror on the far wall…the rest you have to discover behind the walls he’s built." Behind each wall exists a small vignette with themed objects, from Claude's crocodile furniture to François-Xavier's myriad primates (including a standout babouin—a functional fireplace in the belly of a cast iron baboon).

Theodora Allen Landscape/Mindscape

Office Mag

January 27, 2019

Plants have an enduring power over their onlookers. They seduce us with their silent stillness. They fascinate us with their ability to thrive. They entice us with their potential flavor. They ensnare us with their abilities to soothe the body and alter the mind. They are reminders of our mortality.

Louis Benech Celebrates Les Lalanne in Curatorial Debut

Galerie Magazine

January 30, 2019

Having completed over 300 projects from South Korea to Morocco, there’s not much that world-renowned landscape architect Louis Benech hasn’t done in his 30-year career. He even created the first contemporary garden for the Château de Versailles, a watershed moment that vaulted him to international acclaim. But before Kasmin’s enchanting Les Lalanne exhibition opened in New York last week, Benech had never been a curator.

Three exhibitions to see in New York this weekend

The Art Newspaper

January 24, 2019

Looking at Theodora Allen’s delicate, muted watercolour and oil-on-linen paintings that are filled with mystical symbology, psychotropic plants, full moons and other various celestial bodies is like falling into a Pre-Raphaelite-tinged hippie fever dream. The 33-year-old Los Angeles-based artist toes the line between transcendental and twee in her debut solo show in New York at Kasmin Gallery (until 9 March) with a slew of new paintings featuring ancient symbols, tarot tropes and floral imagery that are part surreal, part kitsch. While some of her previous paintings have smacked of a Stevie Nicks album cover—particularly one of guitar ringed by a floral wreath—her newest works at Kasmin are spellbindingly sincere in their quest for meaning through beauty.

'Andy Warhol: Polaroid Portraits' at Kasmin Gallery, New York

Blouin Artinfo

January 16, 2019

Kasmin Gallery will be presenting the works of Andy Warhol in "Polaroid Portraits," from January 24 through March 2, 2019.

The Challenges Female Artists Face Mid-Career


January 11, 2019

Judith Bernstein—represented by Kasmin gallery in New York, The Box in Los Angeles, and Karma International in Zurich—said the biggest obstacle facing women in the art world is self-doubt. She cites the writings of Louise Bourgeois, another artist famously ignored for most of her career, as inspiration. “She never stopped making work,” Bernstein said. “That is the way to overcome self-doubt, to continue on.”

Artist Tina Barney Photographed the Backstage Antics at Sies Marjan’s Fashion Week Show—See the Pictures Here


January 10, 2019

Fashion label Sies Marjan’s list of fans reads like a who’s who of Hollywood: Glenn Close, Emma Stone, Zendaya, and Saoirse Ronan are all among its followers. But its appeal extends well beyond the fashion and entertainment realms as well. With its asymmetrical tailoring and eye-catching color palettes, it’s no wonder the brand, founded in 2016 by the Dutch-born wunderkind Sander Lak, recently teamed up with fine art photographer Tina Barney to document the lead-up to its spring 2019 show at New York Fashion Week. The collaboration has resulted in a new series of 12 photographs and two new films that lift the curtain on the fashion show.

Kasmin Gallery by studioMDA

Architectural Record

January 3, 2019

The Chelsea neighborhood in Manhattan is still Art Gallery Central, its origins dating at least to the 1990s, when low-rise warehouses and reasonable rents began luring these venues from SoHo. As with SoHo’s fate—by which escalating real-estate prices brought high-end retail shops and condos and shooed away galleries and artists’ lofts—the overwhelming popularity of the High Line along the west edge of Chelsea and the rapid construction of luxury residential towers could again demonstrate that economic gains come with cultural losses. But, for now, the mix is lively, even if many galleries are counting on the largesse of landlords.

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